This came as a side project from Belgian avant-gardism group Univers Zero. As guitarist Roger Trigaux left that band, he got help from drummer Daniel Denis, A-M Polaris on vocals and Rochette on bass. Their music is incredibly somber (sinister is also appropriate) as it was on U Z but here the music is electrified, more energetic and more constructed, as there is "normal song construction" if that ever meant anything to those musicians. After two albums came a period were no albums came out for ten years, the band resuming activity in 95 with a live album. In the meantime Roger had released under that name a record where he duets with his son, and he would place in the group after along with the collaboration of Dave Kerman (5UU'S). Present's music is really hard to categorize and to give names of bands to tell you the sound would be misleading you.
To some, Jethro Tull will always be associated with Ian Anderson's flute playing and more rocking, arena-worthy moments. But like Led Zeppelin, Tull was all about balancing their sonic mood swings; they could effortlessly transform between being loud & proud rock & rollers to more tranquil folksmen in the blink of an eye. The 2007 compilation, The Best of Acoustic Jethro Tull is self-explanatory, since the 24-track set focuses solely on the "unplugged" side of Tull. But some of Tull's finest moments were acoustic guitar-based, including such early classics as "Mother Goose," "Skating Away (On the Thin Ice of the New Day)," and "Fat Man" (here's a fun game to play: the next time you watch the movie Boogie Nights, try to spot the scene that uses the latter song)…