A Roxette

2013 live release from the Swedish Pop duo recorded live in South America during the Spring 2012 leg of their triumphant comeback tour. The Blu-Ray contains a complete concert with 90 minutes of an inspired and energetic Roxette live from Curitiba, Brazil, Cordoba in Argentina and Santiago in Chile. The film really captures the ecstatic mood of a typical concert in South America in the spring 2012, from the introduction of "Dressed for Success" to the sing-along party in the final encore "Church of Your Heart." In addition to the concert film is also…

In the five years between Roxette's last album, Crash, Boom, Bang, and this, their "comeback" album, pop music had changed considerably. Crash, Boom, Bang failed, in part, because it was completely out of step with the times; in 1994 grunge, alternative, and rap ruled the charts, but Roxette always produced a relatively crisp and clean brand of pop/rock. In the five years since then, however, Brit-pop brought alternative rock back towards pop, electronica made dance music "cool" again, and bubblegum pop bands like the Spice Girls made unabashed pop fun again. Also, Per Gessle was fresh off from his very rock-oriented 1997 solo album.

The Roxbox!: A Collection of Roxette's Greatest Songs is the second box set from the band Roxette released by Parlophone in 2015. It consists of four CDs which include the greatest hits recorded in the years 1986–2012. It was released in Australia on 6 February 2015 to accompany the band's tour.

Berry Gordy, Jr. once said "Don't bore us – get to the chorus," which basically sums up most of pop music. It doesn't, however, do credit to Roxette, who has crafted some of the best tunes of the '80s and '90s. This compilation exhibits what pop masters Per Gessle and Marie Fredriksson are. It sums up major hits ("It Must Have Been Love," "Joyride"), minor hits ("Church of Your Heart," "How Do You Do!"), hard-to-find cuts ("Almost Unreal" from the Super Mario Bros. soundtrack), and new material ("Stars," "Wish I Could Fly"). Every song is a gem. Whether it's aching ballads like "Crash! Boom! Bang!," A/C/pop like "Dressed For Success," or techno/dance like "Stars," the two never miss a beat in terms of production, vocals, or lyrics.

In the five years between Roxette's last album, Crash, Boom, Bang, and this, their "comeback" album, pop music had changed considerably. Crash, Boom, Bang failed, in part, because it was completely out of step with the times; in 1994 grunge, alternative, and rap ruled the charts, but Roxette always produced a relatively crisp and clean brand of pop/rock. In the five years since then, however, Brit-pop brought alternative rock back towards pop, electronica made dance music "cool" again, and bubblegum pop bands like the Spice Girls made unabashed pop fun again. Also, Per Gessle was fresh off from his very rock-oriented 1997 solo album.

In the five years between Roxette's last album, Crash, Boom, Bang, and this, their "comeback" album, pop music had changed considerably. Crash, Boom, Bang failed, in part, because it was completely out of step with the times; in 1994 grunge, alternative, and rap ruled the charts, but Roxette always produced a relatively crisp and clean brand of pop/rock. In the five years since then, however, Brit-pop brought alternative rock back towards pop, electronica made dance music "cool" again, and bubblegum pop bands like the Spice Girls made unabashed pop fun again. Also, Per Gessle was fresh off from his very rock-oriented 1997 solo album.

Returning to action after a decade-long hiatus, Roxette don’t skip a beat on 2011’s Charm School. Roxette were never in the thick of things, never setting the pace, but they did reflect their times during their 1988-1991 peak…

Lengthier variations on this album were released overseas a couple of months before the American version; the Swedish edition, Love Peas: Ballad Hits, contained 19 tracks to this one's 15. But Roxette is a much bigger act in Sweden, and in Europe generally, than in America, where most of those who remember the duo will wonder how they could fill an album of only their ballad hits…