A Story is a Deal

Postmodernist literature embraces a wide range of forms and perspectives, including texts that are primarily self-reflexive; texts that use pastiche, burlesque, parody, intertextuality and hybrid forms to create textual realities that either run in opposition to or in parallel with an external reality; fabulations that develop both of these strategies; texts that ironize their relationship to reality; works that use the aspects already noted to more fully engage with political or cultural realities; texts that deal with history as a fiction; and texts that elude categorization even within the variety already explored.

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Some Kent releases come together in a relatively short period of time, while others require a longer gestation period. This month, we're proud to bring you one that falls firmly into the latter category. It's been a fortnight short of two years since we first began work on a project that would attempt to tell a story-in-song of Black American participation in the Vietnam war, a project that has been in the works for the whole of that time. The original annotation plans fell through not once, but twice, both times at the last minute. Just as we thought everything was running smoothly, we had to revise our originally perceived track listing. (One of the tracks we'd licensed had suddenly become worth three times as much in its licensor's eyes as had already been agreed, due to the fact that "war sells records" - a new one on us, we must admit.) It often felt like this project was the place where catastrophe and calamity meet - but, finally, 100 weeks after it was first discussed, A SOLDIER'S SAD STORY is ready. As compiler and part-annotator, I could hardly be more pleased with the end result.

Some Kent releases come together in a relatively short period of time, while others require a longer gestation period. This month, we're proud to bring you one that falls firmly into the latter category. It's been a fortnight short of two years since we first began work on a project that would attempt to tell a story-in-song of Black American participation in the Vietnam war, a project that has been in the works for the whole of that time. The original annotation plans fell through not once, but twice, both times at the last minute. Just as we thought everything was running smoothly, we had to revise our originally perceived track listing. (One of the tracks we'd licensed had suddenly become worth three times as much in its licensor's eyes as had already been agreed, due to the fact that "war sells records" - a new one on us, we must admit.) It often felt like this project was the place where catastrophe and calamity meet - but, finally, 100 weeks after it was first discussed, A SOLDIER'S SAD STORY is ready. As compiler and part-annotator, I could hardly be more pleased with the end result.