Sonja Kristina is an British songwriter, musician and actor, best known for starring in the seminal 1960s musical Hair, and being the vocalist of Curved Air. (…) After Curved Air, she returned to Hair. She has also performed solo, including as part of the acid folk movement in London in the early 1990s, culminating in her critically acclaimed Songs from the Acid Folk in 1991, and in a multi-media duo MASK, with Marvin Ayres…
THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
While its sheer bulk negates its interest to a general audience, The Complete Bill Evans on Verve is an essential library piece for any serious jazz fan or historian. Spanning 18 CDs, 269 tracks and 21 hours, the box set includes all of Evans' recordings for the label between 1962 and 1969, including 19 albums, two previously unreleased albums and 98 previously unreleased tracks. During these years, the pianist made some of his greatest music, including his legendary Village Vanguard sessions, and the set charts all of his changes, as he plays with his trio and as a solo artist, as well as a rare session with a rhythm quartet and strings. While the set itself could be a little more user-friendly – it's encased in a steel box, with a 160-page booklet and an 18-disc fanpack on separate shelves – the music itself is nearly flawless and nearly essential for most serious jazz fans.
While its sheer bulk negates its interest to a general audience, The Complete Bill Evans on Verve is an essential library piece for any serious jazz fan or historian. Spanning 18 CDs, 269 tracks and 21 hours, the box set includes all of Evans' recordings for the label between 1962 and 1969, including 19 albums, two previously unreleased albums and 98 previously unreleased tracks. During these years, the pianist made some of his greatest music, including his legendary Village Vanguard sessions, and the set charts all of his changes, as he plays with his trio and as a solo artist, as well as a rare session with a rhythm quartet and strings. While the set itself could be a little more user-friendly – it's encased in a steel box, with a 160-page booklet and an 18-disc fanpack on separate shelves – the music itself is nearly flawless and nearly essential for most serious jazz fans.
Tom Jones, OBE (born 7 June 1940, Treforest, Pontypridd, Glamorgan, Wales) is a Welsh singer. In 1962, he became the frontman for Tommy Scott & The Senators, a Welsh beat group and recorded 4 demo tracks in the football changing rooms at Pontypridd YMCA, known as the "bathroom session". In 1963, as Tommy Scott & The Playboys, they recorded 7 demos for the producer Joe Meek…
"The First Lady of Song," Ella Fitzgerald was arguably the finest female jazz singer of all time (although some may vote for Sarah Vaughan or Billie Holiday). Blessed with a beautiful voice and a wide range, Fitzgerald could outswing anyone, was a brilliant scat singer, and had near-perfect elocution; one could always understand the words she sang…
On the face of it, John Denver was an unlikely candidate for pop stardom. He achieved fame with a message of wide-eyed optimism at a time when the U.S.A. was wracked by political scandals, economic uncertainty and the after-effects of the Vietnam War. His boyish looks and wholesome persona went against the grain of a society obsessed with hipness.
Denver provided an alternative vision and millions responded to it. A veteran of the folk movement (including a stint with the Chad Mitchell Trio), he emerged as a positive voice who could reach across the generational divide with his music.
Included in this definitive set of John Denver's recordings are his many gold and platinum-selling LPs including Poems, Prayers and Promises (with the hits "Take Me Home, Country Roads" and "Sunshine on My Shoulders"), Rocky Mountain High and Windsong (with such enduring compositions as "Annie's Song" and "I'm Sorry") as well as later forays into country and pop, all of which contain hidden gems worthy of deeper investigation.
A highlight of this set is a true rarity, the 1966 LP John Denver Sings, a privately pressed, limited-run album released only to John's friends and family. The recording captures Denver's youthful idealism and guileless spirit qualities that remained a part of his music until his tragic death in a 1997 plane crash.
The most complete package to date of John Denver's The Complete Studio Albums.Contains 24 original RCA albums released between 1969 and 1986, plus Denver's rare privately pressed 1966 LP, John Denver Sings. Many of these albums have never been available on CD. Each individual album is packaged in a replica mini-LP sleeve reproducing that album's original cover art.
The third in the Glass’ trilogy of operas about men who changed the world in which they lived through the power of their ideas, “Akhnaten”‘s subject is religion. The Pharaoh Akhnaten was the first monotheist in recorded story, and his substitution of a one-god religion for the multi-god worship in use when he came to power was responsible for his violent overthrow. The opera describes the rise, reign, and fall of Akhnaten in a series of tableaus. Libretto (Egyptian, Arcadian, Hebrew, and language of the audience) by the composer in association with Shalom Goldman, Robert Israel and Richard Riddell. Vocal text drawn from original sources by Shalom Goldman.