A.j. Cook

In its heyday, The Stork Club was the "place to be seen" among New York's glitterati. Gossip columnist Walter Winchell held the corner table, recording the comings and goings of the brightest stars of stage and screen—including Lauren Bacall, Bette Davis, and Ralph Bellamy—along with shining literary lions—from Ernest Hemingway to Dashiell Hamett and Anita Loos—to politicians and bigwigs—including regulars like J. Edgar Hoover.

"Hoyle était très pâle et s'était mis à parler très lentement et posément. Si cette perle est bien ce que je crois qu'elle est, elle sera sans doute l'une des plus précieuses au monde… Je la veux. Je tiens à ce qu'une chose soit bien claire entre nous, Cassidy : j'obtiens toujours ce que je veux." Cassidy a très bien compris la menace. David Hoyle, tyran ignoble, possède la quasi-totalité du petit port de Three Fold Bay…

In its heyday, The Stork Club was the "place to be seen" among New York's glitterati. Gossip columnist Walter Winchell held the corner table, recording the comings and goings of the brightest stars of stage and screen—including Lauren Bacall, Bette Davis, and Ralph Bellamy—along with shining literary lions—from Ernest Hemingway to Dashiell Hamett and Anita Loos—to politicians and bigwigs—including regulars like J. Edgar Hoover. And the Club's host—Sherman Billingsley—became famous for keeping the fun going to the early hours of the morning.

This book explores the mental and literary awakening that many working-class women in the United States experienced when they left the home and began to work in factories early in the nineteenth century. Cook also examines many of the literary productions from this group of women ranging from their first New England magazine of belles lettres,

Who was Louis Gaulard Dumesny? Dumesny was not the first haute-contre historically speaking, but he was the first to have become famous in his lifetime. Sources agree that he was a cook when Lully discovered him. He made his debut in 1677 and everyone was amazed by his acting, the power of his voice and also his ability to learn everything by ear, since he could not read music. A few centuries later, Reinoud Van Mechelen, star tenor of the international Baroque scene, has decided, with his ensemble A Nocte Temporis, to pay tribute to this ‘haute-contre’ register, a high tenor voice (not to be confused with the countertenor!), by devoting three recordings to it, paying tribute in turn to Lully, Rameau and Gluck.