A.taste.of.love.2024

Three CD set. Follow-up to Grapefruit's hugely popular US 1967 anthology 'March Of The Flower Children'. Hit singles, cult classics and tracks from 1968's key albums as the American music scene moved on from the Summer of Love. While psychedelia had been the dominant musical force in 1967, the scene fragmented the following year. Although many acts remained immersed in garage-punk and psychedelic pop, a growing number of heavily-amplified, blues-based hard rock bands like Blue Cheer, Steppenwolf and Iron Butterfly - all of whom enjoyed sizeable hit singles in 1968 - emerged to pave the way for what would develop into heavy metal. Manufactured pop in the form of bubblegum dominated the singles chart, The Byrds and other easy riders developed a country/rock hybrid, a phalanx of folk-based singer/songwriters came to the fore, while Bob Dylan and his occasional playmates The Band pioneered a more organic, rustic sound that would come to be known as Americana.

Three CD set. Follow-up to Grapefruit's hugely popular US 1967 anthology 'March Of The Flower Children'. Hit singles, cult classics and tracks from 1968's key albums as the American music scene moved on from the Summer of Love. While psychedelia had been the dominant musical force in 1967, the scene fragmented the following year. Although many acts remained immersed in garage-punk and psychedelic pop, a growing number of heavily-amplified, blues-based hard rock bands like Blue Cheer, Steppenwolf and Iron Butterfly - all of whom enjoyed sizeable hit singles in 1968 - emerged to pave the way for what would develop into heavy metal. Manufactured pop in the form of bubblegum dominated the singles chart, The Byrds and other easy riders developed a country/rock hybrid, a phalanx of folk-based singer/songwriters came to the fore, while Bob Dylan and his occasional playmates The Band pioneered a more organic, rustic sound that would come to be known as Americana.

Three CD set. Follow-up to Grapefruit's hugely popular US 1967 anthology 'March Of The Flower Children'. Hit singles, cult classics and tracks from 1968's key albums as the American music scene moved on from the Summer of Love. While psychedelia had been the dominant musical force in 1967, the scene fragmented the following year. Although many acts remained immersed in garage-punk and psychedelic pop, a growing number of heavily-amplified, blues-based hard rock bands like Blue Cheer, Steppenwolf and Iron Butterfly - all of whom enjoyed sizeable hit singles in 1968 - emerged to pave the way for what would develop into heavy metal. Manufactured pop in the form of bubblegum dominated the singles chart, The Byrds and other easy riders developed a country/rock hybrid, a phalanx of folk-based singer/songwriters came to the fore, while Bob Dylan and his occasional playmates The Band pioneered a more organic, rustic sound that would come to be known as Americana.

During the latter half of the '80s a new breed of guitar-orientated bands began to emerge in the UK - armed with an overt pop song craft sensibility, and enamoured with a conflicting post-punk spirit and adoration of the '60s, many of these unlikely acts - all anoraks, Dr Martens and charity shop chic - would go on to become Top 40 regulars and set the tone for music beyond these shores, culminating in 'The Stone Roses', an album that defined a generation. 'Cut Me Deep' - named for a Jasmine Minks track which captured that spirit - presents a snapshot of that time and place, via essential independent labels such as Creation, Sarah Records and 4AD, and their major backed counterparts in Blanco Y Negro et al, alongside distribution via Rough Trade and other like-minded outlets. With an electric guitar in hand (no Stratocasters here please), and resplendent in clothes as immaculately and cheaply curated as their record collections, a new generation of British musicians kickstarted what would become the only credible challenge to the increasingly dominant synthesiser pop scene of the late 1980's.

A short history of The Drifters would actually be an impossibility as well over 60 performers have been “Drifting” at one point or another! For brevity’s sake let’s just say the original Drifters were formed as a back up band for Clyde McPhatter and released one album in 1956 aptly titled “Clyde McPhatter & The Drifters”. Fast forward to 1959 and we find the second band emerging from a group called The Five Crowns, led by one, Benjamin Earl Nelson, better known professionally as Ben E King. Along with three other Crowns, Charlie Thomas, Dock Green and Elsbeary Hobbs they became a four piece dropping an alcohol troubled fifth member James “Poppa” Clark along the way. This line up became arguably the classic Drifters group produced mainly by The Coasters producers, Leiber & Stoller. The dynamic “wunderkinds “of the fifties music scene would of course write many classic songs of the era, many included here on our set alongside another dynamic writing duo Pomus & Shuman. This era became known as “the true golden age of the group” but sadly was to last only a couple of years. Due to financial problems (all the group were certainly never paid what they were worth) rather than the other classic rock n roll break up reason “musical differences”, Ben E King left the group for a solo career in 1960 and here we include three classic albums by the great man. Ben scored his first hit the following year, 1961, with the stone classic “Spanish Harlem” followed by yet another “Stand By Me” not a bad start at all, we say! Many hit singles and albums would follow but arguably he never had a hit as big at these two all time classics! And as we know they would both re-appear on the charts down the years. In 1982 Ben E King returned to The Drifters for a British tour and stayed until 1986.

A short history of The Drifters would actually be an impossibility as well over 60 performers have been “Drifting” at one point or another! For brevity’s sake let’s just say the original Drifters were formed as a back up band for Clyde McPhatter and released one album in 1956 aptly titled “Clyde McPhatter & The Drifters”. Fast forward to 1959 and we find the second band emerging from a group called The Five Crowns, led by one, Benjamin Earl Nelson, better known professionally as Ben E King. Along with three other Crowns, Charlie Thomas, Dock Green and Elsbeary Hobbs they became a four piece dropping an alcohol troubled fifth member James “Poppa” Clark along the way. This line up became arguably the classic Drifters group produced mainly by The Coasters producers, Leiber & Stoller. The dynamic “wunderkinds “of the fifties music scene would of course write many classic songs of the era, many included here on our set alongside another dynamic writing duo Pomus & Shuman. This era became known as “the true golden age of the group” but sadly was to last only a couple of years. Due to financial problems (all the group were certainly never paid what they were worth) rather than the other classic rock n roll break up reason “musical differences”, Ben E King left the group for a solo career in 1960 and here we include three classic albums by the great man. Ben scored his first hit the following year, 1961, with the stone classic “Spanish Harlem” followed by yet another “Stand By Me” not a bad start at all, we say! Many hit singles and albums would follow but arguably he never had a hit as big at these two all time classics! And as we know they would both re-appear on the charts down the years. In 1982 Ben E King returned to The Drifters for a British tour and stayed until 1986.

"For a Few Dollars More - Boss Reggae Sounds from the Upsetter" is a compilation album that showcases the early work of legendary Jamaican record producer Lee "Scratch" Perry, often known as "The Upsetter." The album highlights the influential reggae and ska sounds that Perry produced during the late 1960s and early 1970s, a period crucial to the development of the reggae genre.

More than any other artist to emerge from the fertile black metal scene of the early ‘90s, Ihsahn has firmly established himself as an unpredictable maverick. Frontman and chief composer with the legendary Emperor, he re-wrote the rulebook on epic extreme music across a series of albums that are still widely regarded as classics.

Three CD set. Follow-up to Grapefruit's hugely popular US 1967 anthology 'March Of The Flower Children'. Hit singles, cult classics and tracks from 1968's key albums as the American music scene moved on from the Summer of Love. While psychedelia had been the dominant musical force in 1967, the scene fragmented the following year. Although many acts remained immersed in garage-punk and psychedelic pop, a growing number of heavily-amplified, blues-based hard rock bands like Blue Cheer, Steppenwolf and Iron Butterfly - all of whom enjoyed sizeable hit singles in 1968 - emerged to pave the way for what would develop into heavy metal. Manufactured pop in the form of bubblegum dominated the singles chart, The Byrds and other easy riders developed a country/rock hybrid, a phalanx of folk-based singer/songwriters came to the fore, while Bob Dylan and his occasional playmates The Band pioneered a more organic, rustic sound that would come to be known as Americana.

"For a Few Dollars More - Boss Reggae Sounds from the Upsetter" is a compilation album that showcases the early work of legendary Jamaican record producer Lee "Scratch" Perry, often known as "The Upsetter." The album highlights the influential reggae and ska sounds that Perry produced during the late 1960s and early 1970s, a period crucial to the development of the reggae genre.