Bernard Allison was born to play and sing the blues, as well as born to play and sing funk, rock, R&B and more. The son of blues legend Luther Allison and a guitarist with a stunning and broad command of his instrument, he leads the movement that is creating blues music for a new generation. Already a major star in Europe following a decade of living and touring on the Continent, Allison recently returned to his homeland to rapidly establish himself as both a thrilling player and a musical stylist who seamlessly fuses tradition with contemporary sounds.
Allison's blues for a new century are indelibly stamped onto Storms of Life, his second release with Tone-Cool Records. As he works his way through material by fellow guitar talents like Mark Knopfler, Johnny Winter, Billy Gibbons, Anders Osborne, and his father Luther…
In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”
The Dutch conductor Bernard Haitink and the Bavarian Radio Symphony Orchestra were linked by a long and intensive artistic collaboration, brought to an abrupt end by his death in October 2021. BR-KLASSIK now presents outstanding and as yet unreleased live recordings of concerts from the past years. This recording of Bruckner's "Te Deum" and his Eighth Symphony (version by Robert Haas, 1939) documents concerts performed in the Philharmonie im Gasteig in November 2010, and in the Herkulessaal of the Munich Residenz in December 1993.
"This is yet another triumph for PentaTone’s RQR series. With visionary conducting and exemplary playing and singing, this set is a treasure to listen to from both an audiophiles' and a musician’s perspective. (…) To sum up: for all Mahlerians, this is an essential addition to the discography." ~SA-CD.net
Like Tom Browne and Lenny White/Twennynine, Bernard Wright was part of Jamaica, Queens' R&B/funk scene of the late 1970s and early 1980s, which gave us such major hits as Twennynine's "Peanut Butter" and Browne's "Funkin' for Jamaica." Browne and White were both talented jazz musicians, but R&B/funk was their main focus at that time…