The defining track on Jason Lindner's excellent Ab Aeterno isn't an original composition, it's a medley of two Bud Powell tunes: "Sure Thing and "Glass Enclosure. Powell balanced bebop and classical idioms wonderfully on these songs and showed that even if the two kinds of music were distant relatives, they still shared a common language.
Swedish DJ Avicii is a strange case. In 2011, he broke through with "Levels," a bleepy and bright bit of EDM that could have been his signature hit, but then his 2013 album, True, was a country-pop and folk-inspired affair that thrilled his fans with its inventiveness, but left others as cold as a meandering Mumford & Sons remix effort. Two years later, his LP Stories is another genre-busting affair that fits in better with mainstream radio than it does the club, but everything iffy about True has been perfected here, as the producer revisits the song-oriented album and lets the outside genres freely come and go.
This release contains Art Blakey and the Jazz Messengers’ complete original album Pisces (Blue Note GXF 3060), which appears here for the first time ever on a single CD. It features an amazing lineup, with the leader on drums, Lee Morgan on trumpet, Curtis Fuller on trombone, Wayne Shorter on tenor sax, Cedar Walton and Bobby Timmons alternating on piano, and Jymmie Merritt and Reggie Workman alternating on bass. As a bonus, an alternate versions of “Ping Pong” and “United” (recorded six days after the takes included on Pisces), as well as three songs which complete that session.
This edition of Art Blakey's Jazz Messengers is an unusual one. The personnel includes Blakey veterans Lee Morgan (returning to the band after some success as a leader), Curtis Fuller, and Victor Sproles, along with John Hicks (who appeared on three other Blakey records) and the tenor saxophonist John Gilmore (of Sun Ra fame) in his only appearance with the band. As typical for Blakey-led groups, the emphasis is on original material by its members; the one Broadway show tune included, "Faith," is from a long since forgotten I Had a Ball.
At the Jazz Corner of the World is a two-volume live album by American jazz drummer Art Blakey and the Jazz Messengers, featuring performances recorded in 1959 at Birdland and released on the Blue Note label. The album was originally issued as 12-inch LPs in two volumes and later re-released as a two-CD set.
On his new album 'Inventions/Reinventions,' pianist-composer DanTepfer performs each of Bach's beloved 15 Two Part Inventions interleaved in chromatic sequence by 9 of his own free improvisations in the "missing" keys to create a new full, and fully transporting 24-key experience, a 55-minute mix of the timeless and the contemporary. 300 years ago in 1723, Johann Sebastian Bach initially composed his Two Part Inventions as keyboard exercises for his eldest son, Wilhelm Friedemann Bach.