AC DC

AC/DC are an Australian rock band formed in 1973. They were founded by brothers Malcolm Young on rhythm guitar and Angus Young on lead guitar. Their current line-up comprises Angus, bassist Cliff Williams, drummer Phil Rudd, lead vocalist Brian Johnson and rhythm guitarist Stevie Young – nephew of Angus and Malcolm. Their music has been variously described as hard rock, blues rock and heavy metal, but the band calls it simply "rock and roll". They are cited as a formative influence on the new wave of British heavy metal bands, such as Def Leppard and Saxon. AC/DC were inducted into the Rock and Roll Hall of Fame in 2003.

Bonfire is a 5 disc box set by the Australian band AC/DC, released in 1997, and remastered with a release in Digipak format in 2003. It was created as a tribute to the band's earlier singer Bon Scott and included the two disc soundtrack to the movie Let There be Rock, some early unreleased tracks, a live recording from the Atlantic Records studio in New York and a remastered version of Back in Black. The box set was originally released in 1997 with the CDs all packaged individually in jewel cases, complete with full artwork. The original issue also features a poster, a backstage pass, keyring and a few other extras depending on the region. When the album was reissued in 2003 it was packaged in a large digipak, similar to a longbox, which featured either 4 or 5 disc trays. The 4-tray versions contained the remastered Back in Black in its own case with booklet. All versions of the box feature a large book full of liner notes and rare pictures of the band, mostly from before Scott's death.

Highway to Hell is the sixth studio album by Australian hard rock band AC/DC, released on 27 July 1979. It was the band's fifth studio album released internationally and the sixth to be released in Australia. It was the last album featuring lead singer Bon Scott, who died early the following year on 19 February 1980.

The "Buddha Lounge" series saw the release of AC/DC's best rock tribute to date. After all, if in the case of the "lounge ensemble" treatments of the classics of The Beatles and Metallica, the originals of the songs, albeit with difficulty, were guessed, the arrangement of the rhythmic imperishable Australians for, let's put it this way, metallophones and unobtrusive rhythm boxes, gave little resemblance to the original and therefore extremely humorous musical an object. After all, this whole series is pop postmodernism in its purest form, invented and recorded not at all for the delight of the audience in chill-outs, but precisely for the amusement of fans of heavier music.