Aka Moon

"The question of the quality of joy seems to me today to be increasingly vital — it is intrinsically linked to the way in which humour can find its full expression in a world that constantly limits access to lighter moods." Fabrizio Cassol

"The question of the quality of joy seems to me today to be increasingly vital — it is intrinsically linked to the way in which humour can find its full expression in a world that constantly limits access to lighter moods." Fabrizio Cassol

Since the group was founded 25 years ago, the career of Aka Moon has been punctuated by a myriad of original musical encounters. After their initiatory journey with the Aka Pygmies in 1992, an unappeased desire has always nourished the research of the three accomplices: the wish to share the knowledge, experience and secrets of other musicians from all backgrounds. Today, the necessity of the original trio is again expressed in NOW with the exceptional playing quality that has been acquired and refined over the course of numerous concerts. For although Aka Moon was undeniably born with a unique sound, the group has always made it evolve, absorbing, in particular, rhythms from the Orient, Africa or India.

In addition to being one of Beethovens most emblematic works, the Piano Sonata no.32 op.111 (1821-22) is a manifesto of radical modernity. It begins the process of disintegration of sonata form, a formal pillar for any composer of the preceding century, and introduces in its second movement a new method of constructing the musical phrase, to such an extent that some commentators regard it as marking the first stirrings of jazz. The innovations it presented, particularly in the field of rhythm, left most of the composers contemporaries perplexed. Here is an ideal space for the Aka Moon trio to occupy. It has called on three strong musical personalities for the occasion: the singer Fredy Massamba, who contributes his expressive power as an African storyteller.