"…Analogue Productions has produced some of the best sounding piano on SA-CD, and this one is no exception. If you want to listen to Bill Evans' story you owe it to yourself to buy all three discs ('Saturday At The Village Vanguard' and 'Waltz For Debbie' are the other two)." ~sa-cd.net
Tenor Madness was the recording that, once and for all, established Rollins as one of the premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades and gives an indication why as a young player, Rollins was so well liked, as his fluency, whimsical nature, and solid construct of melodies and solos gave him the title of the next Coleman Hawkins or Lester Young of mainstream jazz.
One of Analogue Productions' most successful and collectible projects has been the Miles Davis Quintet/The Great Prestige Recordings deluxe box set on 33 1/3 LP. Now, that beautiful five-album set is being reintroduced. And at 45 RPM, it's more stunning than ever! Featuring a 12" x 12" 16-page gorgeous booklet, packaged with the LPs in a deluxe, heavy-duty box, this set is the end-all of Miles' work for the legendary Prestige label from 1951 through 1956. Stereophile awarded the first incarnation of this set Recording of the Month in their March 1997 issue, giving it five stars for both music and sonics. That was at 33 1/3 RPM. Imagine these same records at 45 RPM!
"…Analogue Productions has produced some of the best sounding piano on SA-CD, and this one is no exception. If you want to listen to Bill Evans' story you owe it to yourself to buy all three discs ('Saturday At The Village Vanguard' and 'Waltz For Debbie' are the other two)." ~sa-cd.net
"Most of the APO analog to DSD conversions are great, but this one is probably the best from a sonic perspective. And if you like jazz trio's with articulate bass playing and a clear and purposeful piano technique, then you are in for a treat. This is a live recording set at the New York Village Vanguard jazz club with accompanying audience 'participation', though that never distracts. The Stereo separation is rather absolute left/right, with the piano in the right speaker and the rest in the left. There is virtually no center image…." ~sa-cd.net