Atlas.

Whirlwind is elated to announce the signing of internationally-acclaimed artist Natacha Atlas and her October 4th release Strange Days. Heralded as one of the world’s most distinctive voices, she’s carved a path synthesising western and middle eastern vocal traditions with mind-blowing dexterity. Natacha’s latest work sees her push vocal and musical boundaries even further by effortlessly weaving jazz traditions into her already unique blend.

Even when paying homage to the Moroccan music she grew up with, vocalist Natacha Atlas can't help but let the multicultural and modern seep in. With bossa nova, Western pop, and just a thin slice of electronica figuring into the mix, the "back to my roots" album Mish Maoul is a rich collection of music that doesn't sound decorated but natural coming from an artist who prides herself in being a musical nomad. Easy to believe a nomad's memories of her homeland would be foggy and sentimental, and easy to believe the modern nomad's soundtrack would sound something like this – only something like this because this is far and away Atlas' most personal album. Suitably, she seems totally in charge of its construction, making interesting production choices with the help of Temple of Sound, Timothy Whelan, and others. For someone who has worked with Transglobal Underground, Art of Trance, and Jah Wobble in the past, the restraint Atlas uses on the rhythmic and ritualistic "Hayati Inta" is surprising and creates an intoxicating tension with only a slight bit of electric guitar revealing this isn't a field recording.

The 1979 album Blå Vardag by Atlas is in every way indispensable when looking at the progressive music history of Sweden. Their sole debut album is combining the almost Zamla -esque playfulness while infusing heavy organs, carefully refined guitar riffs and fantastic synthesized sound scapes. If you have any interest in instrumental 70's prog (and even the RIO scene), you're in for a real treat - this album is not to be overlooked! For fans of: Samla Mammas Manna, Camel and Yes.

For the first time in his rich career, Natacha Atlas signs a jazz album at the heart of which its eastern chants flourish without restraint. Since the early 90s when officiating in the London clubs in the world electro legendary Transglobal Underground which she was the voice, the Belgian singer of Anglo-Egyptian origin has always heckle Oriental clichйs. After ten years of more or less anecdotal activities, she crosses paths with a certain Ibrahim Maalouf. As musician from the fact vacillate also those clichйs, their cooperation could only be staggering. "This return, says Maalouf moreover, may disorient those who still see in which Natasha whispers Mon amie la rose, swaying be in one of these colorful dresses with sequins…