Aaron Martin Crane

Originally a member of electronica duo clickits, John McCaffrey moved from Accrington in the north west of England to Melbourne, Australia and started a solo project as Part Timer. Concentrating on a mixture of delicate folk flavours and electronic augmentation, Part Timer has released albums on moteer, flau and lost tribe sound. Collaborations with multi-instrumentalist Aaron Martin have been released on mobeer and under the spire. McCaffrey has also released music under the names Scissors and Sellotape (on cotton goods) and Upward Arrows (on under the spire)…

This Aaron Martin's CD on Under the Spire features his tracks being reworked by Part Timer and it's called Grass Rewound. This CD is pretty nice, with the melancholy originals given an extra layer of sadness through the looping repetitions of the weepiest of strings and the super plaintive piano. Sadness electronically augmented.

Aaron Martin’s album "A Room Now Empty" sees him returning to the memory-based recordings of previous albums such as "Almond", "River Water" and "Chautauqua", where layered meanings in the music and titles don’t allow a single clear-cut reading of the music.

"Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity."

This new release features the first-ever commercial recording of three newly discovered viola concertos by German-born Swedish composer Joseph Martin Kraus. Joseph Martin Kraus was one of the most innovative composers of his time. With Mozart, he was described by Haydn as one of only two geniuses he knew. Recipient of the 2011 Leonard Bernstein Award and of the 2010 Avery Fisher Career Grant, David Aaron Carpenter has emerged as one of the world's most promising young artists. The Philadelphia Inquirer describes him as being “in a league with the best.”

If you want a good sampling of Copland's orchestral works, then this 2-CD compilation comes highly recommended, with excellent performances of works such as Appalachian Spring, Quiet City, El Salón México and others. (Presto Classical)

It was early 2017 when Louise Patricia Crane wrote the song that would become the title track of her debut solo album, ''Deep Blue''. Having written and recorded with The Eden House the previous year, Louise relocated to Cambridge to begin working with musician and producer Stephen Carey at his Stanton Manor studio. With a shared vision to create something beautiful and unique in music, the two set about working together.