Abba 2001

The titles of hits compilations always deal in superlatives: "Greatest," "Best," "Very Best" – but the compilers of this ABBA collection have a special problem justifying the release of yet another such album after the multi-platinum success of 1992's ABBA Gold: Greatest Hits and its 1993 follow-up, More ABBA Gold: More ABBA Hits. (Indeed, the band was never shy about repackaging, issuing a Greatest Hits LP in 1976 as only its third U.S. album, followed by Greatest Hits, Vol. 2 in 1979 and The Singles [The First Ten Years] in 1982.) They have settled on The Definitive Collection and done their best to live up to the name. The 37-track double CD contains "for the first time exclusively collected in one package, each and every single as conceived and released by ABBA and their record company Polar Music between 1972 and 1982," writes annotator Carl Magnus Palm.

The most commercially successful pop group of the 1970s, the origins of the Swedish superstars ABBA dated back to 1966, when keyboardist and vocalist Benny Andersson, a onetime member of the popular beat outfit the Hep Stars, first teamed with guitarist and vocalist Bjorn Ulvaeus, the leader of the folk-rock unit the Hootenanny Singers…

The 2008 nine-disc box Albums is neither the first ABBA multi-disc set nor the first time the pop group's albums have been collected and housed in a box set, but it is the first time a set of their complete recordings has been widely disseminated (such are the perks of being a companion to an international blockbuster) and it's the best of the lot, containing all eight of the group's albums (for the record: Ring Ring, Waterloo, ABBA, Arrival, The Album, Voulez-Vous, Super Trouper, The Visitors), plus a 17-track rarities disc that rounds up non-LP singles (including "Fernando" and "Gimme! Gimme! Gimme! (A Man After Midnight)"), songs sung in Swedish, and plain oddities like a medley of the American folk songs "Pick a Bale of Cotton," "On Top of Old Smokey," and "Midnight Special."

If it seems as though the familiar ABBA sound isn't present on this album, that's because there was no entity known as ABBA at the time that the earliest sides here were recorded. Growing out of an attempt by Benny Andersson and Bjorn Ulvaeus to record together with their respective companions, Agnetha Faltskog and Frida "Anni-Frid" Lyngstad, the first side cut here, "People Need Love," featured the two men singing just as prominently as the women, and was credited to "Bjorn and Benny, Agnetha and Anni-Frid." It was only after its release and the cutting of a further single, "Ring, Ring," that the more familiar sound of the quartet began to coalesce along with the idea of a permanent professional association. Unreleased in the United States until 1995, this album is more of a generic European pop release than an ABBA release; the music has several unusual attributes…

"Simply the Best Movie album" is an album released at the end of 2001 in Warner Musics "Simply the Best" series. The album includes moviehits from the soundtracks of some of the biggest Hollywood blockbusters, both recent and cult classics. The album is released in both a one disc and a two disc edition.

If it seems as though the familiar ABBA sound isn't present on this album, that's because there was no entity known as ABBA at the time that the earliest sides here were recorded. Growing out of an attempt by Benny Andersson and Bjorn Ulvaeus to record together with their respective companions, Agnetha Faltskog and Frida "Anni-Frid" Lyngstad, the first side cut here, "People Need Love," featured the two men singing just as prominently as the women, and was credited to "Bjorn and Benny, Agnetha and Anni-Frid." It was only after its release and the cutting of a further single, "Ring, Ring," that the more familiar sound of the quartet began to coalesce along with the idea of a permanent professional association. Unreleased in the United States until 1995, this album is more of a generic European pop release than an ABBA release; the music has several unusual attributes…

If proof were needed that Roxette are the new ABBA, the lack of critical respect should be enough. Like Abba, Roxette is a masterful pop band (with just the right amount of kitsch in its armor) that routinely gets slagged off for lacking substance, whatever that may be. Room Service showcases a band at the top of its form with its feet firm on the pedal: this album is a case study in songcraft and pop smarts. With its na-na-na choruses and sparkly guitars, Room Service is also trademark Roxette, a mostly no-surprises package that divides its time between the soaring, emotive power ballads and the rife-with-hooks rock-dance stompers that the band pretty much took patents out on back in the '80s and '90s.

If proof were needed that Roxette are the new ABBA, the lack of critical respect should be enough. Like Abba, Roxette is a masterful pop band (with just the right amount of kitsch in its armor) that routinely gets slagged off for lacking substance, whatever that may be. Room Service showcases a band at the top of its form with its feet firm on the pedal: this album is a case study in songcraft and pop smarts. With its na-na-na choruses and sparkly guitars, Room Service is also trademark Roxette, a mostly no-surprises package that divides its time between the soaring, emotive power ballads and the rife-with-hooks rock-dance stompers that the band pretty much took patents out on back in the '80s and '90s.

Singer, songwriter, and pianist Neil Sedaka enjoyed two distinct periods of commercial success in two slightly different styles of pop music: first, as a teen pop star in the late '50s and early '60s, then as a singer of more mature pop/rock in the '70s. In both phases, Sedaka, a classically trained pianist, composed the music for his hits, which he sang in a boyish tenor.