Aces High Magazine

Spread A Little Happiness, is the band's 8th studio album, was recorded at Chick Corea's state of the art former studio in Hollywood, the Mad Hatter Studios, and features original tunes such as their recent single, La Dolce Vita. The 12 track album is full of classic and original songs guaranteed to bring a smile to your face. The album also features Hollywood pin-up vocal & dance group The Satin Dollz on an up-beat version of In The Mood. Being inspired by thousands of their fans constant praise of your music just makes me feel happy, lead singer Ian Clarkson commented: We listen to our fans, and wanted to create an album which gave them the very reason why they love the band's music.

Steve N Seagulls are, basically, a YouTube lark gone horribly, horribly wrong. In 2014 a bunch of Finnish musicians played a version of AC/DC's Thunderstruck in their barnyard. The video got millions of views in weeks and landed the band on the websites and magazine pages of elite metal media.Since the last album, the band have played 175 shows & toured in 20 countries.

Various Artists - The Ace Story, Volume 3 (2011) {Ace Records CDCHD1297 rec 1956-1965}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 232 Mb | MP3 @320 -> 130 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1956-65, 2011 Ace Records | CDCHD 1297
Rhythm & Blues / Rock & Roll / Early R&B / Soul / Funk / New Orleans R&B

In revisiting the strength and depth of Johnny Vincent’s original Ace imprint, and its subsidiaries Rex and Vin, what’s immediately obvious is the quality of the often freewheeling studio musicians who recorded for the label. With rampant saxes and rolling pianos, more than likely anchored by Earl Palmer’s tight drumming, the Ace ensembles hit the button every time with their rocky, earthy tracks.

When most people think about Nigerian music, the first thing that comes to mind is Lagos, the country's main commercial center, the glittering megacity that spawned Yoruba-speaking music luminaries such as Fela Kuti, King Sunny Ade, Sir Shina Peters and Wizkid. But Nigeria is a country of rich diversity, especially in its music: From the Igbo highlife and rock bands of east-central region, to the deep Edo roots rhythms from the midwest, to the keening, ornamented Fulani melodies of the north. But one region whose music has remained largely under-explored is the south eastern land of the Efik and Ibibio ethnic groups in Cross River and Akwa Ibom State, the region colloquially referred to as "Calabar." A cradle of culture, this region was one of the earliest outposts of Nigerian popular music. Its primordial rhythms traveled across the Atlantic during the slave trade to provide the part of the foundation for Afro-Cuban grooves that would go on to influence the development of jazz, rock & roll, R&B and funk.

"After Hours" has become a widespread calling card for the area between midnight and twilight, when all the city falls asleep except for a collective of nocturnal beings. A whole new range of attitudes - diverse styles, open perception. After Hours is when the machine turns off -and when the mind turns on. In musical terms, it is the region outside categorization, the music that slips beyond the average stream of beats. It's not based on any beat pattern. After Hours is not ambient; nor is it acid-jazz, it's the area that exists in the gray area between them. Too quirky to hold any cliches too tightly; too loose for any grand agendas. After Hours eases the mind, softens the palette and opens the door to a new day.