Reuben Wilson's 30-year musical influence on the modern music scene is readily apparent on Down With It, released in 1998 on the ultra-funky Cannonball label. Wilson's legendary status is well-deserved. Revered around the world as one of the pioneers of the Hammond B3 organ sound, the "godfather of funk and soul-jazz" continues to transplant his groove into the acid jazz movement. Unlike the previously released Organ Donor, Wilson does not revisit his classics "Hot Rod" and "Got to Get Your Own," but has written four new tunes on the set, including "One 2 Four," which reunites him with soul-jazz guitar pioneer Melvin Sparks.
On March 31, Austin-based Flyjack will release its third record, New Day - a love letter to late 60's and early 70's rare groove, soul and deep funk. Painstakingly assembled over 17 months at guitarist Buck McKinney's Rocky Coast Studio, New Day features seven carefully curated underground rare groove classics, and five Flyjack originals. Utilizing an assortment of vintage microphones, preamps, Moog synths, Wurlitzer electric pianos and other 70's gear, coupled with modern recording techniques and sonics, Flyack pays homage to underground funk while embracing new possibilities for the genre.
Unless you've been living in a cave since the late '70s, you have likely heard Jocelyn Brown's voice at one point or another. Brown's immensely power-packed and impassioned voice has been at the fore of several definitive and timeless disco classics, and it has also been present in background roles on numerous others. Short-lived disco groups like Inner Life and Musique hit the upper reaches of the club charts in large part due to Brown's contributions, and she has also had success as a solo performer.