Acid

Shirley Scott - Legends Of Acid Jazz [Recorded 1961] (1998)  Music

Posted by gribovar at April 25, 2020
Shirley Scott - Legends Of Acid Jazz [Recorded 1961] (1998)

Shirley Scott - Legends Of Acid Jazz [Recorded 1961] (1998)
EAC Rip | FLAC (tracks+.cue+log) - 486 MB | Covers (6 MB) included
Genre: Jazz, Soul Jazz | RAR 3% Rec. | Label: Prestige Records (PRCD-24200-2)

A smart combination of two 1961 albums, Hip Soul and Hip Twist, both of which featured Stanley Turrentine on sax. Hip Soul is the smokier and livelier of the pair, especially on "Stanley's Time" and the Turrentine-composed title track; the material is delivered with a taut intelligence. Hip Twist doesn't suffer much in comparison, though, and gives Scott a bit more presence, as she introduces several themes with impassioned swirls; unlike Hip Soul, it has a couple of tunes from her own pen.

VA - Curses Presents Next Wave Acid Punx (2021)  Music

Posted by Rtax at Feb. 8, 2022
VA - Curses Presents Next Wave Acid Punx (2021)

VA - Curses Presents Next Wave Acid Punx (2021)
XLD Rip | FLAC (tracks, cue, log) - 1.3 GB | MP3 CBR 320 kbps - 504 MB
3:39:50 | New Wave, EBM, House, Nu-Disco, Leftfield, Synthwave, New Beat, Freestyle, Italo-Disco
Label: Eskimo Recordings

‘Next Wave Acid Punx’ is a 38 track journey across nearly 40 years of dark club music compiled and curated by Berlin-based Musician and DJ, Luca Venezia aka Curses. Inviting friends with a like-minded affection for an 80s rooted sound, and diving deep into his record collection, Curses has put together a three CD/double vinyl set that takes us from music by Colourbox and Suicide to EBM pioneers, Front 242 through to recent club hits from Zombies in Miami, and 12 brand new, totally exclusive tracks from the likes of Shubostar, Chinaski, and Curses himself.
Gene Ammons - Legends Of Acid Jazz [Recorded 1962-1971] (1997)

Gene Ammons - Legends Of Acid Jazz [Recorded 1962-1971] (1997)
EAC Rip | FLAC (tracks+.cue+log) - 406 MB | Covers (6 MB) included
Genre: Jazz, Soul Jazz | RAR 3% Rec. | Label: Prestige Records (PRCD-24188-2)

As is often the case in this CD reissue series, the music has little to do with acid jazz, but it does feature a few organists. Tenor saxophonist Gene Ammons is heard on music that formerly comprised two complete LPs from 1970-1971 (The Black Cat and As You Talk That Talk), plus a pair of titles from a 1962 date only previously out on a sampler. The Black Cat is an interesting if erratic set that finds Ammons (along with guitarist George Freeman, Harold Mabern on electric piano, bassist Ron Carter, and drummer Idris Muhammad) playing everything from the pop tune "Long Long Time" and George Harrison's "Something" (both of those tunes have unimaginative strings) to "Jug Eyes" and the boppish blues "Hi Ruth." As You Talk That Talk is a reunion with fellow tenor Sonny Stitt…
Sonny Stitt & Don Patterson - Legends Of Acid Jazz Vol 2 (1968) {Prestige 00025218521024 rel 2006}

Sonny Stitt & Don Patterson - Legends Of Acid Jazz Vol 2 (1968) {Prestige 00025218521024 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 457 Mb | MP3 @320 -> 171 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1968, 2006 Prestige Records / Fantasy / Universal | 00025218521024
Jazz / Bop / Soul Jazz / Organ / Saxophone

Two-fer CD reissue combines two 1968 sessions, both featuring Stitt and Patterson, that were recorded on consecutive days (September 23-24, 1968), although one was issued under Patterson's name and the other under Stitt's. The first six songs were issued as the Patterson LP Funk You!, on which Patterson leads a date that also has Sonny Stitt and Charles McPherson on saxes and Pat Martino on guitar. The other players get about as much space as Patterson, and as 1960s jazz with organ goes, this is pretty straight-ahead and boppish, rather than soul-jazz (as so much organ jazz from that decade was).

The Flaming Lips - Finally the Punk Rockers Are Taking Acid (2002)  Music

Posted by delpotro at Sept. 28, 2019
The Flaming Lips - Finally the Punk Rockers Are Taking Acid (2002)

The Flaming Lips - Finally the Punk Rockers Are Taking Acid (2002)
EAC Rip | FLAC (tracks+log+.cue) - 1,5 Gb | MP3 CBR 320 kbps - 538 Mb | 03:54:50
Psychedelic Rock, Noise Rock | Label: Restless Records

Finally the Punk Rockers Are Taking Acid is a compilation album by The Flaming Lips, collecting their first three studio albums (Hear It Is, Oh My Gawd!!! and Telepathic Surgery) alongside their self-titled debut EP The Flaming Lips, and previously unreleased material and demo recordings. It is the first of two releases archiving the band's Restless Records releases, and is followed by The Day They Shot a Hole in the Jesus Egg.
Trudy Pitts & Pat Martino - Legends Of Acid Jazz [Recorded 1967] (1998)

Trudy Pitts & Pat Martino - Legends Of Acid Jazz [Recorded 1967] (1998)
EAC Rip | FLAC (tracks+.cue+log) - 455 MB | MP3 CBR 320 kbps (LAME 3.93) - 189 MB | Covers (8 MB) included
Genre: Soul Jazz, Post-Bop | RAR 3% Rec. | Label: Prestige Records (PRCD-24208-2)

Anyone who likes the B-3 Hammond organ soul-jazz style and doesn't mind a bit of pop-lounge spice occasionally stirred into the sauce should check out this compilation. It combines Pitts' first two LPs, Introducing the Fabulous Trudy Pitts and These Blues of Mine (both from 1967) on one CD. Introducing is a strong debut, divided between covers of pretty mainstream standards ("The Spanish Flea," "It Was a Very Good Year," "Matchmaker, Matchmaker") and gutsier straight soul-jazz, including four originals by Bill Carney, whose "Organology" is a highlight for its nervous, bopping edge. The languorous swells of the opening number "Steppin' in Minor" make you think you're in for a set of swank lounge-jazz, but the pace quickly picks up, and Pitts really catches fire on "Take Five," jamming a lot of notes into her improvisation without sounding self-indulgent…
Shirley Scott - Soul Sister (1999) {Prestige PRCD-24233-2 rec 1960-1964} (Legends of Acid Jazz Series)

Shirley Scott - Soul Sister (1999) {Prestige PRCD-24233-2 rec 1960-1964} (Legends of Acid Jazz Series)
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 411 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 600 dpi (jpg) -> 22 Mb | 5% repair rar
© 1960-64, 1999 Prestige Records / Fantasy | PRCD-24233-2
Jazz / Hard Bop / Soul Jazz / Organ

Few organ players can kick into swinging grooves with as relaxed a feeling as those Shirley Scott generates on these two outstanding sessions from the Sixties. She was associated early in her career with tenor saxophonists–most notably Eddie "Lockjaw" Davis and Stanley Turrentine–but Prestige Records regularly varied the settings in which she was presented on disc. These are two of the most unusual. The ever-tasteful guitarist Kenny Burrell shares the spotlight on tracks one through six, while Lem Winchester lends his vibraharp mastery to the remainder to help create a unique–and ultimately satisfying– organ/vibes front-line.
VA - La Ola Interior: Spanish Ambient & Acid Exoticism 1983-1990 (2021)

VA - La Ola Interior: Spanish Ambient & Acid Exoticism 1983-1990 (2021)
EAC Rip | FLAC (tracks+log+.cue) - 460 Mb | MP3 CBR 320 kbps - 230 Mb | Covers included | 01:13:42
Experimental Electronic, Ambient | Label: Les Disques Bongo Joe

Following “La Contra Ola” (BJR015), Bongo Joe is pleased to present LA OLA INTERIOR, a compilation exploring the ambient side of the Spanish electronic music produced in the 80’s. It gathers musicians from various horizons and of many generations, who shared the desire to create an immersive soundscape and to combine electronic music with non-Western musical traditions. As a general rule, the Anglo-Saxon tropism did relate the spanish peninsula’s ambient music to the Balearic Sound, that is to say to the relaxing music played in Ibiza’s nightclubs. But this music takes place in the productive territory of experimental musics, and particularly in its two main breeding grounds: the tape recording underground and the independent musicians-producers scene.

Uncle Acid & The Deadbeats - Vol. 1 (2010) [Reissue 2017]  Music

Posted by gribovar at Oct. 20, 2018
Uncle Acid & The Deadbeats - Vol. 1 (2010) [Reissue 2017]

Uncle Acid & The Deadbeats - Vol. 1 (2010) [Reissue 2017]
EAC Rip | FLAC (tracks+.cue+log) - 291 MB | MP3 CBR 320 kbps (LAME 3.93) - 105 MB | Covers - 99 MB
Genre: Psychedelic/Stoner Rock | RAR 3% Rec. | Label: Rise Above Records (RISECD210)

Uncle Acid and the Deadbeats' first album, Vol. 1, may not have cost much money to make, but the ideas behind it are solid gold. Working cheaply on clapped-out gear, guitarist/vocalist Kevin Starrs, bassist Kat, and drummer Red take all the dusty tropes of heavy metal, acid rock, biker rock, and doomy psych rock, knock them around mercilessly, then breath life back into them until they shine like new. It's defiantly lo-fi and unadorned by studio gloss, but it works. It doesn't matter that Starrs' grinding guitars sound ready to fizzle out half the time, the bass and drums are barely audible, and the vocals are murky when the songs are so hooky and the performances are so on point…

Willis Jackson - Legends Of Acid Jazz [Recorded 1959-1960] (1998)  Music

Posted by gribovar at April 28, 2020
Willis Jackson - Legends Of Acid Jazz [Recorded 1959-1960] (1998)

Willis Jackson - Legends Of Acid Jazz [Recorded 1959-1960] (1998)
EAC Rip | FLAC (tracks+.cue+log) - 470 MB | MP3 CBR 320 kbps (LAME 3.93) - 187 MB | Covers (6 MB) included
Genre: Jazz, Soul Jazz | RAR 3% Rec. | Label: Prestige Records (PRCD-24198-2)

Willis "Gator" Jackson's initial reputation was made as a honking and screaming tenor saxophonist with Cootie Williams' late-'40s orchestra and on his own R&B-ish recordings. By 1959, Jackson had de-emphasized some of his more extroverted sounds (although they occasionally popped up) and had reemerged as a solid swinger influenced by Gene Ammons and (on ballads) Ben Webster. This CD reissue from 1998 brings back in full two of Jackson's 1959-60 LPs: Blue Gator and Cookin' Sherry. Some of the music (which often falls into the soul-jazz genre) is reminiscent of the funky groove music that would become popular in the late '60s. Jackson sounds fine and is joined throughout by guitarist Bill Jennings, organist Jack McDuff, one of three bassists, one of two drummers, and sometimes Buck Clarke on conga. The accessible music alternates between warm ballads and jump tunes.