With his ongoing membership in the Allman Brothers Band, Gov't Mule, Phil Lesh & Friends, and the Dead, guitarist/singer Warren Haynes doesn't really have time for a solo career. He did put out a solo album, Tales of Ordinary Madness, in 1993, but his group gigs provide him plenty of opportunities to write and play, and except for a live EP compilation, Lone, in 2003, he hasn't otherwise bothered to issue solo discs. Yet while performing at the 2003 Bonnaroo Festival, he followed a Saturday night set with the Allman Brothers Band with a Sunday afternoon solo set, accompanying himself on acoustic and electric guitar, and here it is on CD.
That's for Me is the Susie Arioli Band's third release for Justin Time and it makes a specialty of a 1930s style of swing. With influences and a knowledge of repertoire from Leadbelly to Stuff Smith, from Tammy Wynette to Ella Fitzgerald, listeners seeking an array of rarely heard songs are sure to enjoy this great collection of music. Arioli's soft, sincere, charming voice is the perfect foil for Jordan Officer's acoustic and electric jazz guitar stylings which provide a hint of folk, light swing and country music flavors. The Canadian chanteuse has a very interesting voice that is reminiscent of Peggy Lee, Patsy Cline and Tammy Wynette all rolled into one (check out "It's a Good Day," "Tess' Torch Sing" and "Why Do I.") However, Susie Arioli revitalizes and adds to these Great American Songbook standards and makes this music her own.
In a remarkable career spanning six decades, singer-songwriter Paul Simon has amassed 9 Grammy awards and has been inducted into the Rock and Roll Hall of Fame twice, first as a member of Simon & Garfunkel, then in 2001 as a solo performer and composer. Encompassing nine studio albums - all contained herein - Simon's catalogue is one of the most diverse, literate, adventurous, and musically rich in all of popular music. Simon is an American treasure, and this awesome collection celebrates his ever-growing legacy.
Peter and I started playing music together in grade school in Winston-Salem, North Carolina, in a blues trio called Soup, and by 1978 we found ourselves in New York playing in a new band, called the dB’s. After two records together, Stands For deciBels and Repercussion, we went our separate ways for a while—Peter continuing on with the dB’s, then playing keys and guitars on tours with R.E.M., and myself off to make some solo records and produce other artists.
Official Release # 72. While no specific designation has been given to Joe's Corsage (2004), the liner notes indicate that this is the debut of an "exciting new series." The title is undoubtedly a clever play on Frank Zappa's Joe's Garage (1979), but the "Joe" in this case is audio archivist Joe Travers, who has been involved with the Zappa Family Trust (ZFT) since the triple-CD release Läther (1996). Granted, exceptions exist, however for the most part the earliest incarnations of the Mothers of Invention are included here with Zappa (guitar/vocals), "Baby" Ray Collins (vocals/tambourine/harmonica), Roy Estrada (bass), and Jimmy Black (drums).