Addison 1999

Based on the Cornelius Ryan novel of the same name, Richard Attenborough's film A Bridge Too Far recounts the failure of World War II's ill-fated Operation Market Garden and the impact it had on soldiers and civilians alike. John Addison's score matches the epic, tragic scope of the movie; this remastered reissue of the soundtrack captures Addison's musical vision in all its doomed glory.

Silva Screen Records present earlier composers who were masters of music on Hitchcock films, and later films with Bernard Herrmann on the second CD. The "CONCERTO FOR ORCHESTRA" is Miklos Rozsa's haunting theme which lasts over nine minutes is something from heaven. "STRANGERS ON THE TRAIN" the Dimitri Tiomkin contribution is also an outstanding track which can move the unmoveable with the heart-racing pounding sounds that the two composers generate. Both composers Rozsa and Tiomkin have a list of accomplishments a mile long, but to hear their music on a Hitchcock film is pure geneious in film making and scoring.

Mose Allison - I Don't Worry About A Thing / Mose Alive! (1962-65) {Atlantic-Collectables COL-CD-6261 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 362 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1962-65, 1999 Atlantic / Collectables Jazz Classics | COL-CD-6261
Jazz / Hard Bop / Jazz Blues / Piano Trio

In 1999, Collectables released I Don't Worry About a Thing/Mose Alive!, which contained two complete albums – I Don't Worry About a Thing (1962, originally released on Atlantic) and Mose Alive! (1965, originally released on Atlantic) – by Mose Allison on one compact disc.

Liquid Tension Experiment 2 is the second studio album by instrumental rock/progressive metal supergroup Liquid Tension Experiment, released on June 15, 1999 through Magna Carta Records.

Leonard Bernstein was not a specialist in Baroque music, but he approached the composer's famous "Messiah" during his performing career, among other works. With the New York Philharmonic, in December 1956 Bernstein led his own, abridged version of Messiah with movements reordered into two parts rather than three. Later as music director he led "The Passion according to St.John", the "Ode for St. Cecilia's Day", and various solo concertos and concerti grossi. Several of these performances recognized the bicentennial of Handel's death in 1959. Bernstein recorded his version of "Messiah" in late 1956 and the "Ode for St.Secilia's Day following those performances with the NYP.

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