Adobe Modeler

Build textures and materials as you learn to paint directly on your 3d models with ZBrush using Polypainting!

Learn to create a high-poly clock asset in 3ds Max, and learn to create the final low poly and textures!

Learn the process of unwrapping, sculpting, polypainting, and rendering his Hard Surface Sci-Fi Vehicle Tank!

Explore the techniques for modeling and texturing this stylized cabin using hand-painted textures!

Learn to mode, UV, and texture stunning, low resolution game assets with a stylized, hand-painted look!

Complete Course: Instrument, Cable, Junction Box, Air Manifold, Cable Tray, Pipe Fitting, Tube Fitting and Control Room

Learn to create a high-poly clock asset in 3ds Max, and learn to create the final low poly and textures!

In this online course, the viewer will learn how to create realistic torned clothing ready for production using Marvelous Designer, Zbrush, Maya and Substance Painter. We will go through the Marvelous Designer user interface and its main features. Using as an example our character from the previous courses we will create his clothing, we will retopology, sculpt on them and texture them to get them ready to be animated. We will do all the clothing simulation in Marvelous Designer, the sculpting in Zbrush, retopology and UVs in Maya and the texturing in Substance 3D Painter.

In this DVD Keith Thompson reveals his process for taking a zombie creature concept from a thumbnail sketch to the finished drawing. Keith demonstrates each step, from idea development and creating the initial drawing using traditional media to scanning the drawing into the computer and then applying colored glazes in Adobe Photoshop®. Keith also explains how to maintain the essential gesture and feel of the thumbnail all the way through to the final concept art. The entire traditional media to digital process is also applied to a collection of extra views of the character. Keith explains how these alternate angles and a set of orthographic rotations are designed to help the 3D modeler.

In this online course, the viewer will learn how to create realistic props and assets ready for production using Maya, Zbrush and Substance Painter. We will go through some basics of modeling for a production environment while working on the assets. Using as an example our character from the previous courses we will create all the props and assets, we will model with proper topology, sculpt on them and texture them to get them ready to be animated and to add them in a production pipeline.