Renée Fleming and Andreas Scholl lead a superb cast in Stephen Wadsworth’s celebrated production of Handel’s Rodelinda from the Metropolitan Opera – based on the "Live in HD" transmission to cinemas worldwide. The title role is unique in featuring no less than eight magnificent arias. Renée Fleming’s triumph in the first run of the production was hailed by The New York Times, "Ms Fleming draws on every resource of her artistry in this portrayal: luminous sound, exquisite ornamentation, floating high notes, emotional volatility."
Set in Egypt, Massenet's drama 'Thais' (1894) traces the ill-fated attempt of the monk, Athanaël, to rescue the soul of the celebrated Alexandrian courtesan, Thaïs. Though she is presently living with his wealthy friend Nicias, Athanaël persuades her to renounce her way of life and riches, but as she dies in the desert in a state of grace, he realises he has succumbed to her worldly charms and begs God for mercy. Renée Fleming triumphs as the glamorous courtesan Thaïs in Massenet’s romantic tragedy set in fourth century Alexandria and the Egyptian desert. The timeless struggle between earthly desire and spiritual redemption finally destroys the resolve of the monk Athanaël (Thomas Hampson), just as the newly penitent Thaïs ascends heavenward. Jesús López-Cobos gives a masterly performance of Massenet’s sensuous score, with concert master David Chan contributing a ravishing ‘Méditation’.
Antonín Dvořák’s Slavonic Dances are some of the greatest treasures ever composed for piano four hands. Prior to their publication, Dvořák’s fame had been limited to Prague, where he was based. On publication, however, the dances were a resounding success, propelling the composer almost overnight onto the international music scene. This success was the result of a series of strange and happy coincidences. In 1874, Dvořák, who was no longer a young man, applied for and was granted the State Scholarship for Artists by the Ministry of Education in Vienna.
Mozart’s darkest operatic masterpiece with a superb cast featuring Renée Fleming and Bryn Terfel, masterfully conducted by James Levine with Franco Zeffirelli’s beautiful staging.
Bryn Terfel, giving his first Don Giovanni at the MET, received rave reviews for both his singing and his dramatic performance – as the Los Angeles Times puts it: “Terfel is exquisite as the Don, raping and pillaging his way through Europe: His voice, diction and acting are perhaps the best in the role since Cesare Siepi.”