Wild, raw, rough-edged Chicago slide guitar blues, this is jumpin', partyin' music in the tradition of Hound Dog Taylor and J.B. Hutto (Lil' Ed's uncle). Recorded live in the studio with no overdubs, it includes nine original compositions plus covers of Hutto and Albert Collins tunes.
…The King's Consort under the direction of Robert King perform the Overture-Suites from the Second and Third Productions of Telemann's anthology…I find the new issue delightful, both musically and from a performance standpoint. The players capture the spirit of the Overture-Suite in D major (Second Production) with pleasing tempos, crisp articulation, taut rhythms and fine ensemble. The trumpet has an important role in this Suite and here it is played with finesse by Crispian Steele-Perkins—resonant, authoritative but never overbearing. Oboes are kept busy, too, as indeed is the leader, Roy Goodman who gives a lively account of the several concertante passages for violin. His presence has contributed much to the ultimate success of this project.
Willpower was really designed to be Jack Bruce's Crossroads – it followed Clapton's monumental box by a year, had similar artwork, a similar approach that blended selections from throughout his various projects, and the same remastering/production team. Thing is, Bruce didn't have the commercial success of Clapton, nor did he have the same sizable following (although his fans were indeed devoted), and critics just sorta gave up paying attention around 1970, so there wasn't much of an audience for Willpower upon its release in 1989. Nevertheless, it's a pretty terrific summary of Bruce's career, never staying too long in one particular period (even the selections from Cream lack such heavy hitters as "Sunshine of Your Love" or "I Feel Free"), and encapsulating how unpredictable and adventurous Bruce's career has been.
American expatriate Joe Dassin was one of France's most popular singers during the late '60s and '70s, initially building his name with stylized adaptations of folk and country material from his birthplace. As his career blossomed, Dassin turned increasingly to traditional-style chansons penned by some of the genre's best writers, scoring an all-time classic with his 1975 smash "L'Eté Indien." Notorious for his perfectionism, Dassin could play the introverted romantic, but his persona also played off of American archetypes and imagery. His premature death of a heart attack in 1980 robbed French pop of one of its greatest modern-day practitioners.