Silky mellow poetic sentiment and of urban and luscious sound, melts such comfort. Supple voice and sentiment, sensual & Sensitive aroma drifting ongoing soul music in smooth. From exquisite cover of Marvin Gaye / Stevie Wonder / Michael Jackson / Sade / Beyonce, post di Angelo - Robert Glasper generation people in the know that has passed through the Neo-Soul by masterpiece group, Yuku melts on the night of Shijima a romantic night cruise-bedroom Soul jazzy & until the heart warm standard interpretation, gem competent Give a Free Soul is "2010s of Urban Sweet" on the theme!
GREATEST EVER! is Union Square Music’s select, best-selling label, utilising the very best repertoire from key major labels, Greatest Ever’s 3CD box sets are some of the strongest multi-artist compilations on the market, with the greatest ever songs.
It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.
D’Indy was a contemporary of Debussy and Ravel, and a pupil of César Franck. Fauré described him as ‘The Samson of Music’ for his multifarious and generous-minded work as a composer, conductor, educator and propagandist who greatly strengthened French musical culture. Today the music of d’Indy is sadly neglected, which is why Chandos and the Iceland Symphony Orchestra have decided to embark upon a series devoted to his orchestral works with conductor Rumon Gamba. With a style essentially eclectic and strongly influenced above all by Beethoven and Wagner, d’Indy particularly excelled in orchestral composition. He drew particular inspiration from his native region in southern France, and formed a body of post-romantic works richly orchestrated, often inflected with folk-like melodies and employing Franck’s well-known ‘cyclic method’.
Breton harpist Alan Stivell brought the Breton harp out of the pages of history and into reality. He's also been a groundbreaker, with his innovative interpretations of traditional Celtic music. (…) Zoom is quintessential Stivell. A must-have album. The only drawback to the album is that the liner notes are in French.