The clarity afforded by history proves Miles Davis' second great quintet vying for the unofficial honor of being the finest small jazz combo to ever record to tape. Originally released in 1966, Miles Smiles is largely responsible for the feat, as it commences a series of five groundbreaking albums – chronologically rounded out by Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro – guided not by chordal patterns but open responses to melodies. Music would never again be the same. Neither will experiencing Miles Smiles once you hear this definitive-sounding hybrid SACD reissue.
This remarkable concert at the Paris Olympia in March 1960 features the same group(less Cannonball Adderley) that recorded 'Freddie Freeloader' on Miles Davis's classic album 'Kind of Blue' a year or so earlier but they sound very different here. John Coltrane was reluctant to be part of this European tour and was anxious to leave Miles and start his own band. Despite this he's in absolutely blistering form although some members of the audience are clearly perturbed by the intensity of his playing. The recording quality is excellent and it's a mystery why this concert hasn't received more attention.
This remarkable concert at the Paris Olympia in March 1960 features the same group(less Cannonball Adderley) that recorded 'Freddie Freeloader' on Miles Davis's classic album 'Kind of Blue' a year or so earlier but they sound very different here. John Coltrane was reluctant to be part of this European tour and was anxious to leave Miles and start his own band. Despite this he's in absolutely blistering form although some members of the audience are clearly perturbed by the intensity of his playing. The recording quality is excellent and it's a mystery why this concert hasn't received more attention.
Paolo Fresu's Songlines/Night & Blue is a beautiful performance by a musician who does not feel compelled to prove himself with pyrotechnics. Instead, on this two-disc set, the Italian trumpeter prefers speaking his piece with lush melodies and a rich full horn sound, supported by an exceptional quartet. Being an Italian album, it seems appropriate to use a few musical terms. The entire affair, around 140 minutes in length, is taken sostenuto (smoothly), with a pace that slides between adagio (slowly) and andante (walking), but never goes much faster than that. But this down-tempo consistency should not be confused with sloth. Everything here is tightly played, with some real intensity from the musicians; it's just not going to wake the neighbors with frenetic thunder.
A 6 CD, 110 track compilation which includes a Jimmy Smith track, two Grant Green tracks, a Lonnie Smith track with David Newman on saxophone and Melvin Sparks on guitar and a Reuben Wilson track with Melvin Sparks on guitar.
A 6 CD, 110 track compilation which includes a Jimmy Smith track, two Grant Green tracks, a Lonnie Smith track with David Newman on saxophone and Melvin Sparks on guitar and a Reuben Wilson track with Melvin Sparks on guitar.
A 6 CD, 110 track compilation which includes a Jimmy Smith track, two Grant Green tracks, a Lonnie Smith track with David Newman on saxophone and Melvin Sparks on guitar and a Reuben Wilson track with Melvin Sparks on guitar.
The much loved 100 Hits range is back in a brand new sleek slim digipak housing 5 discs of your favourite tracks from the Golden age of Jazz featuring incredible tracks from the finest of the era such as Chet Baker, Thelonious Monk, Louis Armstong and many more in this timeless collection.