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Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

The earliest Reunion tour performance yet to appear in the Live Archive series, E. Rutherford 7/18/99 captures Bruce and the E Street Band recommitting to their mission at the second show of a 15-night homecoming run. The set opens with beloved outtake "I Wanna Be With You" and features more Tracks rarities ("Loose End," "Stand On It), a summer-season outing for "Sherry Darling," powerful performances of "Murder Incorporated," "Youngstown" and "Jungleland," plus "Freehold," Springsteen's hilariously candid confessional about growing up in New Jersey.

Every time a plane crashes, the world takes notice…and so do the experts whose job it is to figure out what happened. This season, we uncover why a state-of-the-art helicopter full of oil workers plummeted into the North Atlantic, how a Pakistani airliner ended up on a crash course with the Himalayas, and the chilling reason why an airliner slammed into the African wilderness. Witness accounts, interviews with investigators, and white-knuckle reenactments bring these air disasters to stunning life.

This is a fascinating world where the glamour of air travel meets the logistics of food production on an industrial scale. So how do they do it? It’s time to find out. In this fun, fascinating and logistics packed documentary we bring viewers access to one of Europe’s biggest suppliers of airline food, where 120 chefs make meals daily for 7 of the largest airlines, feeding up to 3,000 people a day.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,

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Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild The Innocent & The E Street Shuffle, and who would support him throughout most of his career.