Alan+parsons

Vulture Culture's theme is another in which the fallacy of humankind is front and center. This time Parsons' message concerns the fact that everyone lives in a parasitic society, where it's every man for himself…

For the most part, 1979's Eve is somewhat overlooked as being one of the Alan Parsons Project's finest work, when in fact it involves some of this group's most intricate songs. The album's concept deals with the female's overpowering effect on man…

With two of the Alan Parsons Project's best songs, the lovely ballad "Time" and the wavy-sounding "Games People Play," The Turn of a Friendly Card remains one of this group's most enjoyable albums. Parsons' idea, the subject of the album's six tracks, centers around the age-old temptation of gambling and its stranglehold on the human psyche…

Freudiana was to be the 11th album by The Alan Parsons Project, but during its development, Eric Woolfson decided to turn the album into a rock opera. It was released as simply "Freudiana," and is known as the "unofficial" Alan Parsons Project album. Alan Parsons continued as a solo artist with the 1993 album Try Anything Once, which was musically in a direction more or less continued from that of 1987's Gaudi. Eric Woolfson hit upon the idea of researching the life and works of Sigmund Freud with a view to their musical potential after he finished the tenth Alan Parsons Project album Gaudi. He retraced Freud's footsteps and explored his realms through his homes in London and Vienna (both now museums) as well as literary sources including Freud's classic cases whose real identities he concealed by use of names such as Wolfman, Ratman, Dora, Little Hans, and Schreber, the Judge. In addition, Freud's writings on his discovery of the 'unconscious', his well known theories such as the 'Oedipus Complex', the 'Ego' and the 'Id' and perhaps his best known masterpiece, 'The Interpretation of Dreams' all served as springboards for musical ideas.

Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential…

One of the most interesting aspects about the Alan Parsons Project is the band's ability to forge a main theme with each of its songs, while at the same time sounding extremely sharp and polished. Much of this formula is used in Ammonia Avenue, only this time the songs rise above Parsons' overall message due to the sheer beauty of the lyrics partnered with the luster of the instruments. The album touches upon how the lines of communication between people are diminishing, and how we as a society grow more spiritually isolated and antisocial. But aside from the philosophical concepts prevalent in the lyrics, it is the music on this album that comes to the forefront.

Even with six different vocalists lending their talents to the album, Pyramid still remains an average bit of material from the Alan Parsons Project. Not only does the album's theme evolve around the mystique of the pyramid, but it also touches on man's fascination with superstition and its powers…

The Best of the Alan Parsons Project, Vol. 2 typically picks up where its predecessor left off. With 11 tracks covering seven albums, including Gaudi, Stereotomy, and Vulture Culture, the songs here are a tad weaker than those on the first collection, since some of the albums that these songs originate from were not of this band's finest caliber. The highlights here include both "Prime Time" and "Don't Answer Me" from Ammonia Avenue, and the provocative instrumental "I Robot," the only non-vocal track on the album. All of the selections on this package convey their purpose much better within their former albums, since each song is a link in the album's conceptual chain.