Alan Shorter

Decca’s first FFRR concerto recording available for the first time: Eileen Joyce / Tchaikovsky 2nd Piano Concerto – never released on 78rpm and long thought lost, the test pressings were recently found at the International Piano Archives in Maryland.

Three years after the debut "Les Châteaux de la Loire" Ellesmere are back, still led by the Italian multi instrumentalist Roberto Vitelli, who wrote the music and the lyrics of every song and took care of most of the bass and keyboards parts on the seven tracks that are part of the concept. Every song deals with a different aspect of the complex relationship between man and sea, from man's curiosity and fear towards what is hidden deep inside the sea to the call for adventure and for traveling to the end of the known world… and beyond. The sea, the unknown, the infinity grandeur and the human soul are the key themes that tie together the concept that feeds the album…

Sun Ra - Sun Ra with Pharoah Sanders & Black Harold (2018) {Sun Ra Music Archive 048285989863 rec 1964}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (bandcamp.com) -> 369 Mb | MP3 @320 -> 171 Mb | Cover | 5% repair rar
© 2018 Sun Ra LLC / Sun Ra Music Archive | 048285989863
Jazz / Avant-Garde Jazz / Jazz Funk / Experimental Big Band / Cosmic Jazz

In November 1964, a number of New York musicians (including Sun Ra) formally banded together as the Jazz Composers Guild. Under JCG sponsorship, the series “Four Days in December” ran from December 28 through 31 at Judson Hall. Sun Ra and his Arkestra appeared on the 31st, along with the New York Art Quartet. All of the music from the Four Days in December series was recorded by the JCG for its own label; a December 1964 announcement in Down Beat indicates that a sampler LP was planned as the first release. However, the Guild broke apart early in 1965, so this never came to pass. Later there were plans (again abortive) to issue the concerts on the Fontana label. Almost a dozen years later (1976), Sun Ra issued the LP "Featuring Pharoah Sanders and Black Harold" [comprised of tracks 6–11 of this digital edition].

This is the third album by Polish Jazz ensemble High Definition Quartet, which comprises of saxophonist Mateusz Śliwa, pianist/composer Piotr Orzechowski (a.k.a. Pianohooligan), bassist Alan Wykpisz and drummer Grzegorz Pałka (each of the three albums features a different drummer). On this album the ensemble collaborates with five electronic music composers: Polish veteran/pioneer of the idiom Krzysztof Knittel, Igor Boxx (a.k.a. Igor Pudło), Americans William Basinski and Robert Rich and Austrian Christian Fennesz. The album presents ten original compositions, five of which are performed by the ensemble and were composed by Orzechowski and five shorter pieces, each composed and performed by one of the above listed electronic music composers (except for the Knittel piece which was co-composed with Orzechowski and co-executed with the ensemble), which are sandwiched between the ensemble pieces.

The Bassoon Concerto in B flat major (K. 191), written in 1774 by Wolfgang Amadeus Mozart, is the most standard piece in the entire bassoon repertory. Nearly all professional bassoonists will perform the piece at some stage in their career...

American pop/jazz-rock group. One of the biggest-selling bands in U.S. history, hailing from the Windy City (Chicago, Illinois). Formed in 1967 as "The Big Thing", they were one of the first groups to successfully fuse rock with a horn section…