An album inspired by the dark turning point the world is facing today, but also by the omnipresent and evident beauty that surrounds us. His compositions are influenced as much by the urban landscapes of Paris as the wild coasts of Australia. These are the inspirations for “Aftermath”, intuitive music which defies boundaries, blending jazz, rock, pop, groove and world music.
A doomy stoner metal Pink Floyd tribute project spearheaded by Austin, Texas-based Sword guitarist Kyle Shutt, the aptly named Doom Side of the Moon began in early 2017 as a salute to the 50th anniversary of the legendary English psych/classic rock outfit. Comprising Shutt, fellow Sword-mates bassist Bryan Richie and drummer Santiago Vela III, vocalist Alex Marrero (Brownout, Brown Sabbath), saxophonist Jason Frey (Black Joe Lewis, Hard Proof), and keyboardist Joe Cornetti (Croy & the Boys), the band released its eponymous debut, a complete reworking of Pink Floyd's seminal 1973 classic Dark Side of the Moon, in August 2017.
Riccardo Fassi has often worked around the music of Frank Zappa and, with the Tankio Band, had already recorded in the nineties a first homage to the genius and opera of the great Italian-American composer. Go back to Zappa's material with an articulated, full-bodied project rich in guests and suggestions, able to enter and exit the "non canonical canon" designed by compositions and Zappish interpretations. Fassi conceives a kind of "concert": the seventeen tracks are articulated around ten tracks of Zappa, with introductions and queues, two improvisations conducted by Fassi along with Antonello Salis and Uncle Remus by George Duke. In nearly seventy minutes overall, many things happen, following the spirit of the tutelary labor number.