Alex Wood

UK five CD set comprising the band's first five albums, originally issued on EMI's Parlophone and Harvest labels between 1969 and 1972 (The Climax Chicago Blues Band, Plays On, A Lot of Bottle, Tightly Knit and Rich Man). Formed in Stafford in 1968 by Colin Cooper, the band (originally known as the Climax Chicago Blues Band) recorded their debut album in September and November 1968 with a line-up of Colin Cooper (vocals, harmonica), Pete Haycock (guitar, slide guitar, vocals), Arthur Wood (keyboards), Derek Holt (rhythm guitar, bass, organ), Richard Jones (bass) and George Newsome (drums)…

A 3-CD set, “Looking Through A Glass Onion” assembles these disparate strands into one cohesive package, with the studio day trippers, the cultural pranksters, the genre-benders, the folk club stalwarts and the hair-down-to-his-knees prog-rock brigade all grooving up slowly to the starting line.

No, not *that* Nirvana… long before Kurt and Courtney were more than a glint in their parents’ eyes, there was a psychedelic British band of the same name. Their first two albums will be re-released, with a wealth of unreleased material, in a new double-set Rainbow Chasers: The ’60s Recordings (The Island Years) on 18 May.

Released just as punk was taking hold on the public's imagination in America and making groups like Jethro Tull seem like dinosaurs on their way to extinction, Bursting Out became a seemingly perpetual denizen of the cutout bins for years afterward. However, it happened to be a good album, a more-than-decent capturing of a live Tull concert from Europe. The sound is remarkably good, given the group's arena rock status at the time, and the repertoire is a solid representation of the group's history, going all the way back to "A New Day Yesterday" from their second album and up through 1978's Heavy Horses, with stops along the way for "Bouree," "Aqualung," "Locomotive Breath," "Cross-Eyed Mary," and a compact reprise of Thick as a Brick.

Pere Ubu unveil their new album, Trouble On Big Beat Street, nearly four years after their previous record for Cherry Red, The Long Goodbye. The Modern Dance (1978) marked the end of Rock ‘n’ Roll. Trouble On Big Beat Street marks the end of The Song. Pere Ubu ended with The Long Goodbye (their last album, also on Cherry Red, from 2019). Pere Ubu begins again with Trouble On Big Beat Street.