Alexandru

This finely-focused and witty production of Jacques Offenbach’s Orphée aux Enfers with sets, costumes and lighting by the director Herbert Wernicke, is a visual and musical delight. The burlesque – conducted by Patrick Davin – is situated in a famous fin de siècle café and with a stupendous coup de théâtre the ensemble makes its entry into hell in a steam locomotive, which crashes through the ceiling. Elizabeth Vidal and Alexandru Badea in the main roles are supported energetically by the La Monnaie Symphony Orchestra and Chorus and Offenbach’s famous “can-can” is, as ever, an intoxicating highlight.

Ondine is pleased to announce the second CD in their Enescu cycle. The first release featuring Symphony No. 2 and the Chamber Symphony Op. 33 was highly praised by critics and nominated for the Gramophone Awards 2013. Enescu is Romania’s most notable composer – and one of the most neglected composers of the 20th century. This release demonstrates a master of orchestral colour and impressive imagination.

Popular Problems is the thirteenth studio album by Canadian singer-songwriter Leonard Cohen. Leonard Cohen's Popular Problems is an uncharacteristically quick follow-up to 2012's Old Ideas. That record, cut in the aftermath of a multi-year tour, revitalized him as a recording artist. Producer Patrick Leonard (Madonna, Bryan Ferry) serves as co-writer on all but one tune on Popular Problems. While Cohen's sound has revolved around keyboards since 1988's I'm Your Man, Leonard gets that the real power in the songwriter's lyrics are best relayed through his own own simple melodies.

Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture - such as "La donna mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. His work has sometimes been criticized for using a generally diatonic rather than a chromatic musical idiom and for being essentially melodrama during his early years. He was an atheist. Verdi's masterworks dominate the standard repertoire a century and a half after their composition.