Ali Vieux Farka Touré

Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed “the African John Lee Hooker,” one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence.

Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed “the African John Lee Hooker,” one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence.

Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed “the African John Lee Hooker,” one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence.

Like his legendary father, Ali Farka Touré, Vieux is a guitarist who likes to collaborate. He has worked with the Israeli keyboard player Idan Raichel, and now comes an even more powerful partnership, with American singer Julia Easterlin. The opening Little Things starts with the familiar guitar lines of that Malian favourite Kaira, before Easterlin eases in to nudge the song towards western balladry. Elsewhere, this bravely original fusion switches from an African funk treatment of Fever Ray’s I’m Not Done to slow, thoughtful laments. The traditional In the Pines has been covered by everyone from Lead Belly to Nirvana, but is here reworked with chilling, whispered vocals and desert blues guitar, while the most startling track is a slow, African-edged treatment of Dylan’s Masters of War, which sounds like a pained meditation on the recent chaos in Mali.

Ali Farka Touré is well known as one of the most influential and talented guitarists that Africa has ever produced. His legacy and impact are hard to overstate: Ali’s sound merged his much-loved traditional Malian musical styles with distinct elements of the blues, resulting in the creation of a groundbreaking new genre, now well known as the ‘desert blues’, earning him 3 Grammy awards and widespread reverence. 'Voyageur' is the first release of previously unheard music since 2006’s 'Savane', and features a collection of recordings captured at various points in Ali’s illustrious career. The album, which features fellow Malian superstar Oumou Sangaré on 3 tracks, reaffirms Ali’s status as a globally revered legend of African music.

Ali Farka Touré is well known as one of the most influential and talented guitarists that Africa has ever produced. His legacy and impact are hard to overstate: Ali’s sound merged his much-loved traditional Malian musical styles with distinct elements of the blues, resulting in the creation of a groundbreaking new genre, now well known as the ‘desert blues’, earning him 3 Grammy awards and widespread reverence. 'Voyageur' is the first release of previously unheard music since 2006’s 'Savane', and features a collection of recordings captured at various points in Ali’s illustrious career. The album, which features fellow Malian superstar Oumou Sangaré on 3 tracks, reaffirms Ali’s status as a globally revered legend of African music.

Your attention is invited to a collection of albums of the now legendary Putumayo World Music label.
Each album is supplied with a colorful booklet containing a lot of interesting information about the music styles within the chosen themes for an album (the names of the albums are always bright - they speak for themselves), and also about the musicians-performers.