Amir Cantúsio Jr. is in actuality Alpha III. He was born in 1957, in Campinas Brazil. At age five he began playing Piano and guitar. Later, he studied experimental music at Universidade do Estado de São Paulo, and Universidade de Campinas. Over the years he has won several musical awards, thrice being named the best keyboardist in the world. Aside from his own work, Cantúsio has also performed and produced for other artists, and founded the first experimental electronic progressive label in Brazil, Faunus Records. Later he formed his own Alpha III Artistical Productions label…
Esoteric recordings are pleased to announce the release of a newly remastered and expanded edition of Tangerine Dream’s classic 1971 album "Alpha Centauri". Recorded at the Dierks Studio in Stommeln, the album featured a line up of Edgar Froese, Chris Franke and Steve Schroyder with guests Udo Dennebourg (flute) and Roland Pualyck (synthesiser). Released in Germany on the OHR label, the influence of the album was immense, with the band creating imaginative sound-scapes previously unheard on record. This Esoteric Reactive edition is newly re-mastered and includes three bonus tracks: ‘Oszillator Planet Concert’ has never been released on CD and was issued as part of the 1971 double album “Ossiach Live”. Also included are both sides of the classic ‘Ultima Thule’ single issued in Germany in 1971. The release fully restores the original album artwork and includes a lavishly illustrated booklet.
Esoteric recordings are pleased to announce the release of a newly remastered and expanded edition of Tangerine Dream’s classic 1971 album "Alpha Centauri". Recorded at the Dierks Studio in Stommeln, the album featured a line up of Edgar Froese, Chris Franke and Steve Schroyder with guests Udo Dennebourg (flute) and Roland Pualyck (synthesiser). Released in Germany on the OHR label, the influence of the album was immense, with the band creating imaginative sound-scapes previously unheard on record. This Esoteric Reactive edition is newly re-mastered and includes three bonus tracks: ‘Oszillator Planet Concert’ has never been released on CD and was issued as part of the 1971 double album “Ossiach Live”. Also included are both sides of the classic ‘Ultima Thule’ single issued in Germany in 1971. The release fully restores the original album artwork and includes a lavishly illustrated booklet.
Two centuries of organ music at the Chapelle Royale, Versailles . . . The recently restored organ of the chapel bears witness to the glorious past of this historic site and the magnificence of the royal liturgy. This project, entrusted to the four resident organists of the instrument, presents a rich panorama of the composers who had the privilege of entering the Versailles organ loft, from the Couperin dynasty to Balbastre. It forms part of a new series produced by Alpha with the Château de Versailles, which will present the fruits of the latest research into the organ repertory in a sumptuous edition.
Édouard Lalo made his mark on French music with his opera Le Roi d’Ys, but his instrumental output also has considerable historical importance, with its resolutely innovative aims for its time. More specifically, his concertante music rewards the attentive ear with a brilliant, skilfully constructed style, studded with fresh rhythmic and harmonic inventions that renew the melodic and orchestral language of the genre.
As an enlightened king during the first half of the 17th century, Christian IV gave Denmark an unprecedented splendour. Added to diplomatic and military ambitions was a rich artistic life, especially in music. The Copenhagen court was rich with singers and instrumentalists, and therefore became an important place of passage for the European composers. In order to discover this astonishing activity and the unfairly neglected composers, the Witches invite us to listen to their recording. Not only for the sentimental memories, but also for the sheer pleasure of combining instrumentation of the Witches plus the unique tone of the Compenius organ, installed in the chapel of the Frederiksborg Castle by Christian IV in 1617.
With the rise of Romanticism, the topics of opera changed from the mythological fantasy of Baroque operas to the fairytale fantasy which graced the French stage long before Romanticism reached other European nations. Initiated by the Palazzetto Bru Zane, this project is built like a universal fairytale, inspired by Cinderella, Sleeping Beauty, Bluebeard, and others, as set to music by French composers of the Romantic period, alternating between famous composers such as Offenbach and Rossini and little known masters like Viardot, Silver, and Isouard. This imaginary opera was conceived and transcribed by Alexandre Dratwicki for piano quartet and two singers- a soprano and a mezzo, the roles of which are performed here by Jodie Devos and Caroline Meng.