Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al. What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.
At just 13 years old, Norwegian boy soprano Aksel Rykkvin releases his debut recording of challenging soprano arias by Bach, Handel and Mozart with the Orchestra of the Age of Enlightenment and conductor Nigel Short. A classically trained singer since the age of eight, Aksel has so far enjoyed a short but stratospheric career, lauded by critics and audiences alike for his astonishing talent, combining skilful virtuosity and a rare innate musicality with a beautifully resonant voice, unusually rich and mature.
The solo boy soprano album has a kind of intensity, born of knowing that the sound will soon end, that attracts some and puts others off, but Norwegian treble Aksel Rykkvin, with flawless schoolboy good looks, has become something of a sensation with this album of Baroque and Classical arias. His voice has a rather metallic quality, and you might think that forcing it into these big arias would be an unnatural thing. Yet in fact some of these pieces, including the tough arias from Handel's Alcina, were originally written for a boy soprano, and Bach's church music made use of them as well. Rykkvin handles the acrobatics quite well.