American Blues

This is a well-organized, smartly chosen 20-track compilation of some of the lesser-known early Mississippi blues artists. Garfield Akers is about the most famous, which tells you right there how obscure most of these names - King Solomon Hill, Otto Virgial, Mattie Delaney, Joe Calicott, Blind Joe Reynolds, John D. Fox and others - are to the general listening public. It's quality material, however, and not in a drastically different league than the most renowned classics by singers like Tommy Johnson and Son House. The guitar playing and singing are emotional and inventive throughout, but standouts include Mattie Delaney, Elvie Thomas and Geeshie Wiley, some of the relatively few guitar-playing Delta blueswomen who recorded; Wiley's minor-key, doomy "Last Kind Words" is particularly affecting.

Formed in Dallas, Texas, USA, in 1968, the American Blues evolved out of local club attraction the Warlocks when Rocky Hill (guitar), Dusty Hill (b. Joe Hill, 19 May 1949, Dallas, Texas, USA; bass), Doug Davis (organ) and Frank Beard (b. 11 June 1949, Frankston, Texas, USA; drums) took their new name upon adopting a more ‘progressive’ sound…

This band is hot. Very, very hot. And those aren't just empty words. After all, the Blues Company from Osnabrück, Germany is neither a hodgepodge of rank beginners nor - to borrow business lingo - a group of new business starters. Rather, they are a team of artists who have made their mark, musicians with experience and know-how aplenty. The musicians at work here have long since ensured that the name of their “company” is a recognised “seal of approval”. In a nutshell, “Blues Company” stands for German's longest-running and most successful blues band. And with each new recording, with each concert, these pros underscore that their passionate love affair with the blues is burning brightly as ever.

From the beating heart of the capital city Bamako to the rich musical soils of Niafunké, Mali has become synonymous with the raw desert blues sound. Featuring the likes of the legendary Tuareg band Tartit as well as Songhai bluesman Samba Touré, this Rough Guide also includes tracks by other unsung heroes, all of whom share the same goal of preserving a culture under serious threat.

The first major blues and jazz singer on record and one of the most powerful of all time, Bessie Smith rightly earned the title of "The Empress of the Blues." Even on her first records in 1923, her passionate voice overcame the primitive recording quality of the day and still communicates easily to today's listeners (which is not true of any other singer from that early period). At a time when the blues were in and most vocalists (particularly vaudevillians) were being dubbed "blues singers," Bessie Smith simply had no competition. Back in 1912, Bessie Smith sang in the same show as Ma Rainey, who took her under her wing and coached her. Although Rainey would achieve a measure of fame throughout her career, she was soon surpassed by her protégée. In 1920, Smith had her own show in Atlantic City and, in 1923, she moved to New York.

A unique blend of soulful Blues and funk with hard driving Blues-rock, produced by legendary Blues artist Joe Louis Walker! For this album, the band decided to re-connect with Blues hall-of-fame member Joe Louis Walker, who had played several shows with them in 2013. Walker returned to Israel in the winter of 2016 to produce the album, which contains 12 new compositions by Dov Hammer and Andy Watts, featuring the bands signature sound, incorporating Blues, rock and funk, and includes a special guest appearance by Joe Louis Walker himself. Track 13 is a real bonus - an electronic remix of a Blues Rebels song ("well run dry"), taking this raw, downhome Blues to the chillout stratosphere ! Check out this unique fusion of seemingly conflicting styles.