Among Rega

Gil Evans Orchestra - Parabola (1978) {2LP Vinyl, HORO HDP 31-32} (Released on VINYL but not CD)

Gil Evans Orchestra - Parabola (1978) {2LP Vinyl, HORO HDP 31-32} (Released on VINYL but not CD)
FLAC (tracks) - 16bit/44.1kHz - VINYL RIP -> 428 Mb | MP3 @320 -> 189 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1978 HORO Records Italy | HDP 31-32
Jazz / Post Bop / Progressive Jazz

This is an important LP, for me. Not only because Gil Evans is among the most important composers and arrangers in jazz, and perhaps is not even for his poetic lyricism or for the wonderful voices of Steve Lacy, Lew Soloff or Earl McIntyre. I don't believe it's important for the music of Hendrix, that Gil would have liked to play with Miles Davis, and perhaps even because it's one of the greatest projects of HORO label. Maybe it's just for the title, or for that solitary golden portrait, but I feel that is an important LP for me, now. I can't say more.
Moondog - Instrumental Music by Louis Hardin (1978) {LP - Musical Heritage Society MHS3803} (Released on VINYL but not CD)

Moondog - Instrumental Music by Louis Hardin (1978) {LP - Musical Heritage Society MHS3803} (Released on VINYL but not CD)
FLAC (tracks) - 16bit/48kHz - VINYL LP RIP -> 250 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (jpg) -> 56 Mb | 5% repair rar
© 1978 Musical Heritage Society | MHS 3803
Classical / Jazz / Avant-Garde / Modern Classical / Minimal / Experimental / Third Stream

LOUIS T. HARDIN (MOONDOG). In the beginning was tonality. Then came atonality which was revolutionary. Tonality continued in folk music and popular music, in spite of atonality, but in the case of serious composers, it was taboo to even think of writing tonal on pain of being ignored and unperformed. I persisted in writing tonal music, and by opposing the atonal revolutionaries, I became a counter-revolutionary. I maintained the tonal tradition, unaware that the founder of atonality himself had repudiated the 12-tone System, which he had conceived. But that was not the end of atonality, for even though its founder gave it up, his pupils did not, and so, for the time being, at least, it survives. As it was in the beginning, is now, and ever shall be, Tonality!