Anastasia Kobekina, Vincent Boccadoro, Emmanuel Arakélian, Thibault Cauvin, Tristan Pereira

Already the title-giving pun "Brazilian Blues" breaks with hardened traditional ways of looking at what Brazilian music is and what the blues can be.

Thibault Noally is a recognized name in the international baroque scene he is an actor for many years, both as a solo violin Musiciens du Louvre-Grenoble Marc Minkowski, with the Concerto Köln, Pulcinella or all Matheus. This first solo album, highly anticipated, put in the spotlight in a directory that he knows how to translate all the subtleties works for solo violin Baroque Germany.

Since its foundation in 2014, Thibault Noally’s ensemble Les Accents brings to life rare works from the Italian Baroque era: in particular the vocal repertoire of the 17th and 18th centuries. Their new record features unpublished extracts of oratorios. Born at the same time and made of the same theatrical stuff as its opera brother, the oratorio, a lyric and dramatic work without staging, also moves the crowds! And its heroines Athalie and Judith have the same temper as their operatic counterparts.

Fresh off his win at the 2024 World Entertainment Awards in Hollywood for Finesse, which was named 'Best Tropical Album', guitarist-composer Sergio Pereira is back with more soothing sounds to uplift the soul.

Marco Pereira (born 1950) is a Brazilian classical guitarist. He was born in São Paulo and took lessons from Isaias Savio, an important Uruguayan guitarist and teacher who brought Miguel Llobet's technique to Brazil.

Even though the arias have been 'stripped' of their text (using the historical techniques of transcription, of course, which were very fashionable at the time), they showcase Farinelli's artistry and evoke the noble sound and his open-throated messa di voce that inspired composers such as his brother Riccardo Broschi to write such charming arias as "Ombra fedele" or "Son qual nave".

Even though the arias have been 'stripped' of their text (using the historical techniques of transcription, of course, which were very fashionable at the time), they showcase Farinelli's artistry and evoke the noble sound and his open-throated messa di voce that inspired composers such as his brother Riccardo Broschi to write such charming arias as "Ombra fedele" or "Son qual nave".

"Violinist Thibault Noally leads his ensemble Les Accents through a new musical adventure inspired by the Johann Sebastian Bach. Around the father of European music are summoned by famous and more discreet contemporaries, all authors of concertos, such as Telemann, Fasch and Förster. Enlightened by the miraculous southern light emanating from the works of German Baroque pieces, the album vibrates thanks to the obvious pleasure of the musicians to play once more together at Aparté’s.

Transcriptions for string sextet of Rameau’s Pièces de clavecin en concerts of 1741, the Concerts en sextuor were published by Saint-Saëns in the monumental edition of Rameau’s works that he undertook in the nineteenth century for Durand. Hitherto they had existed only in a manuscript bearing the name Decroix and dated 1768 (four years after the composer’s death).

Compositeur normand du début du XXe siècle et figure méconnue de la musique française, Gabriel Dupont fut pourtant l’un des derniers représentants du post-romantisme hexagonal, qui s’éteint avec lui à l’aube de la Grande Guerre.