Ancerl Gold Edition

Grumiaux' version remains to this day one of the best available. He and Markevitch conducting the Amsterdam Concertgebouw have a total mastery of the idiom, and the Concerto's sections unfold naturally and organically: it doesn't sound like "modern" music, but as a language entirely congenial to the performers. Tempos are middle-of-the road, close to the metronome marks, and nothing more is required to bring out the composition's searing lyricism. Grumiaux has a luminous tone, the perfect mix of radiant lyricism and despaired vehemence. Markevitch, the Concertgebouw Orchestra (glorious brass!) and the sonic engineers bring out a wealth of orchestral details from Berg's subtle and delicately intertwined textures, maybe not as much as the best modern versions

"Brilliant possession of the instrument, virtuosi technique, a versatile and expressive touch, an animated and emotional style of performance - these are the artistic traits possessed by Semyon Snitkovsky, that allow the brilliant musician to make deep, sincere connection with the audience." These words, spoken by David Oistrakh, come to mind every time one listens to any recording Snitkovsky made throughout his career. The violinist only lived to be 48 years old (1933-1981), but he left behind a large number of records. These records allow his listeners to enjoy the unique artistry that once thrilled audiences and critics in the former USSR and abroad. The CDs that are being released now, present Snitkovsky as a versatile interpreter of the solo, chamber, and solo with orchestra violin repertoire.