Anderson, Bruford, Wakeman, Howe Summer Themes The Summit, Houston, Texas, Usa August 28th 1989 (prrp023) (G Aud)

File under "Yes." When this version of the band couldn't obtain rights to the name, they put their album out under their combined names, but it's still Yes by any other name. Jon Anderson's tenor wails through spacy lyrics, Rick Wakeman constructs cathedrals of synthesized sound, Steve Howe rips high-pitched guitar leads, and Bill Bruford makes his drums sound like timpani. For all that, it's a pedestrian effort for these veterans, not as bombastic as some of their stuff, not as inspired as others, but it definitely has the "Yes" sound. "She Gives Me Love" even refers to "Long Distance Runaround."

Recorded live on the final night of the 1989 Anderson/Bruford/Wakeman/Howe tour, this two-CD set offers both oldies and improvements upon their new material. You'll probably find yourself listening only to the second CD, as the first CD largely consists of shaky solo medleys. Howe fares the best with delicate renditions of "Mood for a Day" and "The Clap." Anderson's guitar and vocal turn comes off like a coffeehouse gig - not bad, especially when he samples "Teakbois," but not riveting. Wakeman's "Merlin" and "Catherine Parr" solo trades speed for precision, and the crowd is unaccountably thrilled when he wrenches unimpressive blow-bottle sounds out of a keyboard. Bruford blows his solo yet again, just as in Yessongs; infatuated with electronic percussion, he produces a grating assortment of clanks and conks…

File under "Yes." When this version of the band couldn't obtain rights to the name, they put their album out under their combined names, but it's still Yes by any other name. Jon Anderson's tenor wails through spacy lyrics, Rick Wakeman constructs cathedrals of synthesized sound, Steve Howe rips high-pitched guitar leads, and Bill Bruford makes his drums sound like timpani…

Maybe the main problem for artists like ABWH in the late eighties was that the music business of the record labels then was more focused in having Hit Singles in the Radio and also videos to be played by MTV, and they demanded from artists commercial music done in the fads that then were created and promoted by these very commercially oriented people…

File under "Yes." When this version of the band couldn't obtain rights to the name, they put their album out under their combined names, but it's still Yes by any other name. Jon Anderson's tenor wails through spacy lyrics, Rick Wakeman constructs cathedrals of synthesized sound, Steve Howe rips high-pitched guitar leads, and Bill Bruford makes his drums sound like timpani. For all that, it's a pedestrian effort for these veterans, not as bombastic as some of their stuff, not as inspired as others, but it definitely has the "Yes" sound. "She Gives Me Love" even refers to "Long Distance Runaround."

Ten songs totalling 30 minutes of music from the eve of Steve Howe's emergence as one of the world's most famous guitar players. The singing isn't much, and the songwriting (apart from the excellent "Black Leather Gloves," written by Clive Skinner, and the group composed "Tired Towers") lacks some lyricism and tunefulness, but Howe's playing is filled with virtuoso melodic flourishes that almost make up for this shortcoming. His guitar carries songs like Curtis's "I Want You," and if you close your eyes on some of the other cuts, it's easy to imagine some of his work grafted onto songs from his first two Yes albums; one can also imagine some of this as demos by Peter Banks' group Flash. But overall this CD reveals Bodast as a band that needed something distinctive besides its axeman, and didn't have it, either in its personnel or their songwriting abilities.

This is more like it – a lithe, lively collection of material, sung in good voice (Howe is joined by his 1960s Tomorrow bandmate Keith West) and played with the kind of robust, cheerful verve that characterized the best moments of Yes's classic sound. There are also guitar breaks that recall the best moments of Yes's work, only they're a little quieter, which gives one the chance to appreciate Howe's virtuoso dexterity…

Following in the footsteps of its preceding two editions, Steve Howe's Homebrew 3 collects previously unheard demos from the renowned guitarist of Yes, Asia, and GTR (not to mention Anderson-Bruford-Wakeman-Howe). As with the previous Homebrew releases, the tunes are primarily stripped down, and prominently feature Howe's guitar work…

For those expecting epic prog riff rockers à la "Heart of the Sunrise," Steve Howe's 2002 solo release, Skyline, may come as a surprise…