Andrei Tarkovsky

The Solaris Effect: Art and Artifice in Contemporary American Film  eBooks & eLearning

Posted by step778 at Jan. 25, 2017
The Solaris Effect: Art and Artifice in Contemporary American Film

Steven Dillon, "The Solaris Effect: Art and Artifice in Contemporary American Film"
2006 | pages: 282 | ISBN: 0292713452 | PDF | 3,8 mb

Mirror: The Film Companion  eBooks & eLearning

Posted by bookwyrm at Jan. 29, 2013
Mirror: The Film Companion

Mirror: The Film Companion By Natasha Synessios
2001 | 136 Pages | ISBN: 1860645216 | PDF | 8 MB

Zerkalo / The Mirror / Зеркало (1975) [ReUp]  Movies

Posted by RSU75 at Sept. 29, 2017
Zerkalo / The Mirror / Зеркало (1975) [ReUp]

Zerkalo / The Mirror / Зеркало (1975) [Curzon Artificial Eye]
Blu-Ray + Bonus Blu-Ray | BDMV | AVC, 1920x1080, ~35.0 Mbps | 1hr 47mn + Bonus | 29,0 GB + 18,8 GB
Russian: LPCM Audio, 2 ch, 1536 kbps
Subtitles: English
Genre: Biography, Drama

A dying man in his forties remembers his past. His childhood, his mother, the war, personal moments and things that tell of the recent history of all the Russian nation.

Song of Granite (2017)  Movies

Posted by Someonelse at April 3, 2019
Song of Granite (2017)

Song of Granite (2017)
A Film by Pat Collins
DVD9 | VIDEO_TS | NTSC 16:9 | 01:37:50 | 7,44 Gb
Audio: Gaeilge AC3 5.1/2.0 @ 448/256 Kbps | Subs: English (+SDH)
Genre: Drama

Enigmatic and complex, Joe Heaney was one of the greats of traditional Irish singing (sean nós). Shaped by the myths, fables, and songs of his upbringing in the west of Ireland, his emergence as a gifted artist came at a personal cost. Featuring performances from Colm Seoighe, Macdara Ó Fátharta, Jaren Cerf, Lisa O'Neill, Damien Dempsey, and sean nós singers Mícheál Ó Chonfhaola and Pól Ó Ceannabháin, and beautiful black and white cinematography, SONG OF GRANITE is a distinct portrait of Heaney’s life and a marvelous exploration of music and song.

Dzhamilya (1972)  Movies

Posted by Someonelse at May 30, 2012
Dzhamilya (1972)

Dzhamiliya (1972)
DVD9 | VIDEO_TS | NTSC 4:3 | 01:17:50 | 7,78 Gb
Audio: Russian, English, French - AC3 5.1 @ 448 Kbps (each)
Subtitles: English, French, Spanish, Italian, German, Russian
Genre: Drama, Romance, War

The film is based on the story of the same name by Soviet writer Chinghiz Aitmatov. It is set in a remote Kirghiz village during the Great Patriotic War (1941-1945). A young wife of a soldier, Djamilya, fell in love with Daniar, a wounded war veteran living in her village. Daniar reciprocates her feelings. But suddenly Djamilya receives a letter from her husband with the news of his forthcoming return from the hospital. This forces the lovers to make a final decision. Years later, their young friend, Seid, who was a witness to their beautiful, albeit uneasy, love, reminisces about this wonderful couple…

Edward Artemyev - The Odyssey (OST) (1998)  Music

Posted by gribovar at May 25, 2024
Edward Artemyev - The Odyssey (OST) (1998)

Edward Artemyev - The Odyssey (OST) (1998)
EAC Rip | FLAC (tracks+.cue+log) - 381 MB | MP3 CBR 320 kbps (LAME 3.93) - 169 MB | Covers - 51 MB
Genre: Modern Classical, Soundtrack | RAR 3% Rec. | Label: Electroshock Records (ELCD 008)

The two features that make a good film soundtrack composer are a personal style and the flexibility to adapt. Therefore, it seems unfair to compare Edward Artemiev's score for the Hollywood-financed television production The Odyssey and his classic music for Andrei Tarkovsky's science-fiction films of the 1970s. All Artemiev did was adapt to the needs of the production, starting with the setting. The action of Andrei Konchalovski's film (following Homer's The Odyssey) takes place in Greece, so the composer borrowed bouzouki melodies and included a couple of Greek folk-style singing episodes. Each piece has been tailored to suit the action of a specific scene, including orchestral cues, percussive outbursts, and horn section buildups. The London Philarmonic Orchestra go through the motions and in the end one gets the impression that the music stands closer to that of John Williams than Artemiev's more personal works.

Cinema and Painting: How Art Is Used in Film  eBooks & eLearning

Posted by advisors at March 20, 2013
Cinema and Painting: How Art Is Used in Film

Cinema and Painting: How Art Is Used in Film By Angela Dalle Vacche
1996 | 320 Pages | ISBN: 0292715838 , 029271582X | PDF | 13 MB

Angela Dalle Vacche - Cinema and Painting: How Art Is Used in Film [Repost]  eBooks & eLearning

Posted by rotten comics at Feb. 19, 2016
Angela Dalle Vacche - Cinema and Painting: How Art Is Used in Film [Repost]

Angela Dalle Vacche - Cinema and Painting: How Art Is Used in Film
1996 | ISBN: 0292715838, 029271582X | English | 320 pages | PDF | 13 MB

Dzhamiliya / Jamilya (1972) [Repost]  Movies

Posted by ETRU at Oct. 9, 2014
Dzhamiliya / Jamilya (1972) [Repost]

Dzhamiliya (1972)
DVD9 | VIDEO_TS | NTSC 4:3 | 01:17:50 | 7,78 Gb
Audio: #1 Russian, #2 English, #3 French - each AC3 5.1 @ 448 Kbps
Subtitles: English, French, Spanish, Italian, German, Russian
Genre: Drama, Romance, War

The film is based on the story of the same name by Soviet writer Chinghiz Aitmatov. It is set in a remote Kirghiz village during the Great Patriotic War (1941-1945). A young wife of a soldier, Djamilya, fell in love with Daniar, a wounded war veteran living in her village. Daniar reciprocates her feelings. But suddenly Djamilya receives a letter from her husband with the news of his forthcoming return from the hospital. This forces the lovers to make a final decision. Years later, their young friend, Seid, who was a witness to their beautiful, albeit uneasy, love, reminisces about this wonderful couple…

The Mirror / Зеркало (1975)  Movies

Posted by muslover at Oct. 10, 2009
The Mirror / Зеркало (1975)

The Mirror / Зеркало (1975)
Russian | Subtitle: English (built in) | 1:46:32 | 512x384 | 24fps | XviD | MP3 - 96kbps | 701 MB
Genre: Biography | Drama | History | War

The award-winning director Andrei Tarkovsky, (one of his better known films is Andrei Rublev), the son of a famous Russian poet, was born in 1935 and grew up in and around Moscow during the Second World War. This non-linear autobiographical film is considered by many Russian-speakers to be his best film and is his most personal meditation on time, history and the Russian countryside. In a series of episodes and images, he captures the mood and feeling of the period just before, during and after the war. Lyrical reminiscences of his mother and of his father's poetry figure large in the film, along with extraordinary images of nature. Combining black-and-white and color work, with some unusual documentary footage, this highly regarded movie is structured with the logic of a dream.