…Again I am very impressed by this new Ange line-up, what an enthousiastic and inspired band, for me it's obvious that they enjoy playing the music and they are even seems honoured to support the charismatic French progrock legend Christian Decamps!..
Michel-Ange ( Michelangelo Buonarroti ) (C aprese, 1475 - Rome, 1564 ) Michel-Ange, comme Léonard de Vinci, avait plusieurs cordes à son arc et était à la fois sculpteur, architecte, peintre et poète. Il porta à leur apothéose le mouvement musculaire et l'effort, équivalents plastiques de la passion, à ses yeux. Il façonna son dessin, le poussant jusqu'aux limites extrêmes des possibilités de son âme tourmentée. …
This album is a rather rocking one (like their eighties work but better). Lyrics of course are above par. Not to be compared with the greatest "Ange" albums from their most brilliant period (the seventies, would you believe?). A song as "Dieu Est Un Escroc" fully brings us some thirty five years backwards to their most anti clerical great texts (and I am so in line with them as far as this philosophic question arises)…
'Le Cimetiere des Arlequins' is one of my fave Ange albums, and may be considered as a perfect sample of their prog style delivered at its top level of energy and expressiveness. While not being an ensamble of top-notch virtuosos, the group works really well as an ensamble, performing both their hard-edged compositions and their softer acoustic ones with the same conviction…
This is the first album by the legendary and pivotal French progrock band Ange. It has a typical Seventies sound, very dated but also unique and captivating…
Considered the French equivalent of Genesis due to their heavy theatrical version of progressive rock, Ange released 14 albums from the '70s to the mid-'80s. The group was led by vocalists Christian and Francis Decamps and included guitarist Jean-Michel Brezovar, bassist Daniel Haas, and drummer Gerard Jelsch…