Angel White Hot

Sonny Stitt - The Complete Roost Sonny Stitt Studio Sessions (1952-65) {9CD Box Set Mosaic MD9-208 rel 2001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.05 Gb | MP3 @320 -> 1.37 Gb
Full Artwork @ 300 dpi (jpg) -> 110 Mb | 5% repair rar
© 1952-65, 2001 Mosaic Records / Capitol / EMI | MD9-208 | 24-bit remaster
Jazz / Bop / Saxophone

Under the watchful eye of famed producer Michael Cuscuna, this nine-CD set serves as a compilation of Stitt's 1950s and 1960s Roost LPs. This release also features a 28-page booklet consisting of comprehensively annotated liners. Moreover, the record label does its best to convey the artistic element via a series of black-and-white photos of Stitt and his sidemen amid anecdotes by many of the late saxophonist's affiliates. Interestingly enough, seven of the original LPs did not list personnel. In some instances, guesses were made, although most of these tracks are well-documented, thanks to the producer's diligence and painstaking research. Artists such as drummer Roy Haynes, bassist/composer Charles Mingus, and pianist Harold Maber represent but a few of Stitt's accompanists.

Superfreak guitarist Buckethead is known at least as much for his bizarre sartorial choices (his stage name comes from his penchant for wearing both a mask and a Kentucky Fried Chicken bucket on his head whenever appearing in public) as for his guitar playing, although taken as a whole, his music is actually quite a bit stranger and more original than his image. The bucket remains pretty much the same at all times, whereas his playing is all over the freaking place. With Praxis he contributed white-hot shards of speed metal to what was essentially a funk and dub project; he stuck to heavy rock & roll with a short-lived version of Guns N' Roses. But on his solo work, his approach is often much mellower and more approachable, at times approaching (though, thank heaven, never crossing over entirely into) the realms of the new age. Electric Tears is fairly typical in that regard…

March 18, 2022 will see the release of melodic rock stalwarts FM's thirteenth studio album, the appropriately titled "Thirteen". Produced by the band, "Thirteen" is yet another high-quality album that furthers the band’s standing as one of the premiere melodic rock entities in the world. The band's current line-up, in place since 2008, has spent the last decade plus writing, recording, and touring and thus is an incredibly gelled and cohesive unit. The rhythm section of bassist Merv Goldworthy and drummer Pete Jupp anchor FM with a rock-solid backbone, while guitarist Jim Kirkpatrick delivers delicious hooks and melodies with keyboardist Jem Davis adds lush layers to the band's dynamic sound. And what more could be said about Steve "The Voice" Overland, whose golden pipes have easily withstood the test of time and who still sings like an angel, while adding delightful guitar parts to the proceedings. The five-piece once again bonds together as the mighty unit FM on "Thirteen" and delivers beautiful melodic rock that their fans have come to expect.

Get your leathers on and your head banging for this superlative collection of 'New Wave Of British Heavy Metal' anthems. The heavy, heavy sound of 1979 onwards into the 80s was incredibly influential, inspiring the biggest metal bands in the world - to play loud and fast. Heads down, see you in the pit!

Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early 1970s) in others; in addition, some volumes covered specific trends, such as music popular on album-oriented rock stations on the FM band.

Time Life was founded in 1961 as the book division of Time Inc.. It took its name from Time Inc.'s cornerstone magazines, Time and Life, but remained independent of both. During 1966, Time Life combined its book offerings with music collections (two to five records) and packaged them as a sturdy box set. Throughout the 1970s and 1980s, the selection of books, music and videos grew and was diversified into more genres. When record labels stopped producing vinyl albums in 1990, Time Life switched to CD only. In the mid-1990s, Time Life acquired Heartland Music, with the Heartland Music label now appearing as a brand. This company was subsequently sold off and is no longer attached to Time Life.

Time Life was founded in 1961 as the book division of Time Inc.. It took its name from Time Inc.'s cornerstone magazines, Time and Life, but remained independent of both. During 1966, Time Life combined its book offerings with music collections (two to five records) and packaged them as a sturdy box set. Throughout the 1970s and 1980s, the selection of books, music and videos grew and was diversified into more genres. When record labels stopped producing vinyl albums in 1990, Time Life switched to CD only. In the mid-1990s, Time Life acquired Heartland Music, with the Heartland Music label now appearing as a brand. This company was subsequently sold off and is no longer attached to Time Life.

Follow-up volumes appeared in 1993 and 1996, extending the time period to 1979 and with additional songs from the 1972-76 period, available on cassette or CD (ALL 25 volumes were issued in both formats). Each volume has twelve songs. Despite the greater capacity of compact discs, the running time of each of the volumes is no longer than the limit of vinyl records in the 1970s, from 38 to 45 minutes long.