Angel Beach

In early 1949, Rumsey was in search of a playing job and came across the Lighthouse Club on Pier Avenue in Hermosa Beach, which he felt would be an ideal place to play music.

Duplicated from (Silver Angel Records Ibiza Beats "Ibiza Beats Vol. 12 (Sunset Chill & Beach Lounge)")

gang vocals by j mcclendon, layne smith, jonas newhouse, william white, and daxe schaeffer featuring additional erformances by jer hunter - trumpet and trombone on motions and 200 tony sanders - trumpet and trombone on coelacanth, trumpet on motions tommy pedrini - marimba on coelacanth and whalefall camille faulkner - violin on the killer and commatose.

From the summer of 1966 into early 1967, the iconic Californian rock band embarked on the anticipated follow-up to their 1966 masterpiece, Pet Sounds. The unreleased album, SMiLE, was recorded and drafted through various sessions but was ultimately abandoned and unreleased, until now. This definitive collection features the full participation of original Beach Boys, Al Jardine, Mike Love and Brian Wilson. The band's trademark vocals harmonies and riveting guitar work have made them one of America's bestselling artists of all time. Edited, Compiled and Mastered from the original master tapes at 24 bit/88.2kHz by The Beach Boys' long time GRAMMY-Award-Winning engineer Mark Linett.

Three CD set. First-ever complete anthology by the 'Beach Baby' harmony pop hitmakers. Featuring both First Class LPs, all singles, pseudonymous releases and numerous previously unreleased tracks including advertising jingles and songs from an aborted 1974 musical. Arguably the ultimate Beach Boys tribute, 'Beach Baby' introduced a new name, The First Class - actually veteran pop hitmaker and songwriter John Carter with the aid of Chas Mills and lead singer Tony Burrows. While other singers and musicians adopted the name to front their music in public, the Carter/Burrows/Mills combination continued to record new First Class material, including a self-titled LP that is quite possibly the finest, most ambitious British harmony pop album of the 70s. Beach Baby: The Complete Recordings is the definitive document of both The First Class and John Carter's myriad overlapping activities during the second half of the 70s. It contains an embarrassment of riches: both albums, all singles, out-takes, pseudonymous releases, a huge number of previously unissued TV/radio advertising jingles and, most fascinatingly of all, seven previously unheard 1974 demos for the musical Bobby Dazzler, abandoned when the single of the same name unfathomably failed to chart.