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Die zweichörige Matthäus-Passion, die bereits im posthumen Andenken der Bach-Familie als die «Grosse Bassion» bezeichnet wurde, gehört nicht nur zu Bachs umfangreichsten und gewichtigsten Kirchenkompositionen. Sie hat auch seit den spektakulären Wiederaufführungen Mendelssohns und Zelters im Jahre 1829 die neuzeitliche Wahrnehmung des Komponisten wesentlich geprägt.

Decca celebrates one of the world’s most prolific conductor-orchestra partnerships with a deluxe 108-CD box set marking both the 20th Anniversary of the passing of Sir Georg Solti and the 125th Anniversary of the founding of the Chicago Symphony Orchestra. 108 CDs presenting Solti’s and the CSO’s complete recorded legacy together: from their very first recording at Medinah Temple in March 1970 of Mahler’s Fifth Symphony to their last at Orchestra Hall, Chicago in March 1997 of Shostakovich’ Symphony No.15.

Decca celebrates one of the world’s most prolific conductor-orchestra partnerships with a deluxe 108-CD box set marking both the 20th Anniversary of the passing of Sir Georg Solti and the 125th Anniversary of the founding of the Chicago Symphony Orchestra. 108 CDs presenting Solti’s and the CSO’s complete recorded legacy together: from their very first recording at Medinah Temple in March 1970 of Mahler’s Fifth Symphony to their last at Orchestra Hall, Chicago in March 1997 of Shostakovich’ Symphony No.15.

The fourth volume of our complete recording of Bach's cantatas completes the series of secular cantatas from the composer's years in Leipzig. Seven works are involved here, spanning a period from 1725 to1742, the year of Bach's final secular cantata, BWV 212. Of Bach's occasional compositions, some fifty secular pieces have survived, yet these represent no more than a fraction of what must once have existed. Bach's secular cantatas cover a period of almost exactly three decades.

The fifth volume of our complete recording of Bach’s cantatas completes the series of secular cantatas from the composer’s years in Leipzig. Seven works are involved here, spanning a period from 1725 to 1742, the year of Bach’s final secular cantata, BWV 212. Of Bach’s occasional compositions, some fifty secular pieces have survived, yet these represent no more than a fraction of what must once have existed. Indeed, there is no other group of works by the composer that has suffered such great – and regrettable – losses. In the case of more than half of the works that are known to have existed, only the words, but not the music, survived. Quite how many pieces may have disappeared without leaving any trace whatsoever is impossible to say.

Over 175 hours of music, featuring recordings by over 250 of the greatest Beethoven performers, ranging from Karl Böhm to Alfred Brendel, Claudio Arrau to the Amadeus Quartet, Wilhelm Furtwängler to Dietrich Fischer-Dieskau, Emil Gilels to John Eliot Gardiner, Wilhelm Kempff to Herbert von Karajan, Yehudi Menuhin to Anne-Sophie Mutter, and Murray Perahia to Maurizio Pollini. Includes more than two hours of newly recorded music including several world premieres with Lang Lang, Daniel Hope and Tobias Koch. Over 30 discs of alternative recordings including historic performances and period instrument recordings. Limited & Numbered Edition.