Leonardo Leo (1694 - 1744) was among the leading Neapolitan composers of his day. He attended the Conservatorio Santa Maria della Pieta dei Turchini in Naples and remained in the city until his death. Leo was also a prominent teacher and held positions at the Conservatorio S Maria della Pietà del Turchini and the Conservatorio S Onofrio. Leo composed mainly operas, oratorios and cantatas with very little instrumental music. Chief among his instrumental works are the six cello concertos on this disc, composed in 1737 - 38. They were presumable commissioned by the Duke of Maddaloni, who was an amateur cello player.
Gustav Leonhardt's account of [the symphonies] is the one to have if you want them on period instruments. They are lively and alert, and distinguished by fine musical intelligence… It is difficult to imagine a better partnership to provide authentic versions of these three fine works.
Ravishing playing by a born Boccherinian…
These dozen sonatas fully constitute one-sixth of Corelli's published output and strongly influenced the form of the violin sonata in the early decades of the eighteenth century. The collection is in many ways a condensation of Corelli's four earlier volumes of trio sonatas; here are solo sonatas (front-and-center violin, accompanied by a continuo section of at least a keyboard and usually cello or gamba, sometimes with the addition of theorbo or some other member of the lute family), with the works divided between six church sonatas (sonate da chiesa, the format of Corelli's Opp. 1 and 3 trio sonatas) and five chamber sonatas (sonate da camera, in the manner of Opp. 2 and 4).
It may be hard for some to imagine that a performer whose mastery of baroque performance has established him as one of the most respected "authentic" interpreters could play Romantic music just as masterfully. But this recording, in which Anner Bylsma is joined by the incomparable Lambert Orkis, truly has everything a listener could desire, from transcendentally relaxed moments to intense vitality, from an affable, quirky sense of humour to masculine seriousness and aching sentiments.
Those who collected CDs in the early years may remember Sony Classical's outstanding "Vivarte" series, which generally provided music using original instruments. Anner Bylsma one of the finest cellists of his time. Anner Bylsma celebrated his 70th birthday when this set was originallyl issued on 2004. It really mattered not what repertoire this cellist chose to play because his art is so all-embracing. He is gifted with a beautiful cello sound, formidable technique and wonderfully convincing interpretive ideas.
Sony Classical celebrates the 80th birthday of distinguished Dutch cellist Anner Bylsma with a special survey of his finest recordings, many originally issued on Sony s legendary period-music label Vivarte, and now re-released as four individually boxed sets. Born in The Hague in 1934, Bylsma won First Prize in the 1959 Pablo Casals Competition in Mexico and served as Principal Cellist in Amsterdam s Royal Concertgebouw Orchestra from 1962 to 1968, before becoming better known as one of the leading pioneers in the period-instrument revival of the Sixties and Seventies.
Luigi Rodolfo Boccherini (Lucca, Italy, February 19, 1743 – Madrid, Spain, May 28, 1805) was an Italian classical era composer and cellist whose music retained a courtly and galante style while he matured somewhat apart from the major European musical centers. Boccherini is most widely known for one particular minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). This last work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. Boccherini composed several guitar quintets including the "Fandango" which was influenced by Spanish music.