The Anthology of the Royal Concertgebouw Orchestra is a transcription in sound of the concert-giving history of the Concertgebouw Orchestra, based upon radio recordings from the archives of Dutch Radio and Radio Netherlands World Service. Six decades of the 20th century are put under the spotlight in six boxes, each containing 14 CDs. We have chosen not only legendary performances under chief conductors of the KCO but also concerts led by countless guest conductors of both greater and lesser renown.
Böhm was reported to have told the Wiener Philharmoniker towards the end of his life "I loved you as one can only love a woman". Listening to this boxset, capturing the Concertgebouworkest at the peak of its powers (between 1935 and June 1941), still at a commendable level (between July 1941 and 1944) before having to rebuild from the ashes of war (1945 to 1947) to finally come back to the highest level (1949-1950), the careful auditor has history in the making unfolding with its drama, its joys, but essentially its incommensurable beauty.
This seventh and final installment of the Anthology of the Royal Concertgebouw Orchestra covers the years 2000 to 2010, a rich period in the orchestra's history largely characterized by the changing perspectives of a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor, to be replaced by the Latvian maestro Mariss Jansons, who shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich. A generation of orchestral players retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalization of the Royal Concertgebouw Orchestra. Also in this period, the launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition.
Again we are indebted to NM Classics for another volume (the second) in their Anthology of the Royal Concertgebouw Orchestra series. This one covers the period 1950-1960 and contains many unusual treasures as well as a number of performances that have already been issued: the fine Daphnis and Chloe with Monteux which currently is available on both Audiophile Classics and Music & Arts, Bruno Walter's Mozart, Mahler and Strauss all of which are available on Music & Arts, and the Brahms concerto with Monteux/Milstein, available on Audiophile Classics and Arioso (as well as a discontinued Tahra set). However, there are many fascinating items here including a number of major additions to Eduard van Beinum's discography. We have Beinum conducting music of Dutch composers Hans Henkemans (1913-1995), Anthony van der Horst (1899-1965), and Matthijs Vermeulen (1888-1967).
Naturally, this 14-disc set of live recordings of the Concertgebouw Orchestra from 1970 through 1980 is only for the hardest of hardcore collectors. Who else would be interested in a collection that mixes Beethoven with Boulez, Baird and Berio, Tchaikovsky with Lutoslawski, Ginastera and Caplet, Rachmaninov with Reger, and Martin and Walton? But for the hardest of the hardcore, this set will be filled with delights. Where else could one find Karel Ancerl's suave account of Haydn's "Oxford" Symphony, Eugen Jochum's sweet account of Reger's Serenade in G major, Kiril Kondrashin's thrilling account of Sibelius' En Saga, Elly Ameling's seductive account of Berg's Der Wein, or Paul Badura-Skoda's evocative account of Martin's Second Piano Concerto?
I bought this shortly after my first visit to the Concertgebouw itself, when I was bowled over by the hall's superb acoustics and atmosphere. So these live broadcast recordings were pungent evocations of the experience. But even without that, this is a box worth having, if you can afford it. The first two discs alone are dynamite: a marvellously dramatic, idiomatic account of Bartok's Bluebeard's Castle with Ivan Fischer and Hungarian soloists, followed by one of the best Mahler Fifths I've heard, from Tennstedt in 1990.
Despite rumors some months ago that the RCOA series might be discontinued (fortunately unfounded), here we have Volume III, a 14-CD set that contains much of interest, but surely—for this collector—doesn't live up to its potential. For me, ideally that would concist of some of the outstanding performances of great symphonic music played by this magnificent orchestra, recorded in the extraordinary acoustics of the Concertgebouw with the usual Radio Nederland sonic expertise. During the decade represented in this set (1960-1970) the Concertgebouw Orchestra's programming often emphasized contemporary music and that surely is reflected in this album. We have well over five hours of music by Martin, Varèse, Berg, Webern, Henze, Lutoslawski, Nono and Dallapiccola as well as Dutch composers Ketting, Escher, and Vermeulen, and Polish composer Grazyna Bacewicz's Music for Strings, Trumpets and Percussion, an 18-minute three-movement work of imagination and vivid scoring.
The Anthology of the Royal Concertgebouw Orchestra is a transcription in sound of the concert-giving history of the Concertgebouw Orchestra, based upon radio recordings from the archives of Dutch Radio and Radio Netherlands World Service. Six decades of the 20th century are put under the spotlight in six boxes, each containing 14 CDs. We have chosen not only legendary performances under chief conductors of the KCO but also concerts led by countless guest conductors of both greater and lesser renown. Famous soloists make their debuts with the orchestra alongside world premieres of works that have since become classics of the repertoire. This fifth volume of the Anthology features the radio recordings made by the orchestra in the 1980s, presenting an overview on 14 CDs of the orchestra's artistic development under various conductors during that period.
This seventh and final installment of the Anthology of the Royal Concertgebouw Orchestra covers the years 2000 to 2010, a rich period in the orchestra's history largely characterized by the changing perspectives of a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor, to be replaced by the Latvian maestro Mariss Jansons, who shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich. A generation of orchestral players retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalization of the Royal Concertgebouw Orchestra. Also in this period, the launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition.
The Anthology of the Royal Concertgebouw Orchestra is a recorded history of six decades of performances by the Concertgebouw Orchestra, taken from broadcasts contained in the archives of Dutch Radio and Radio Netherlands World Service. RCO Live has chosen not only legendary performances under chief conductors of the RCO but also concerts led by countless guest conductors of both greater and lesser renown. The sixth volume of the anthology features broadcasts from the 1990s, and presents a fascinating and colorful portrait of the orchestra s artistic development under various conductors during that period.