Anthrax Taking The Music Back (2003) [enhanced CD Single]

French trumpeter Erik Truffaz has been a mover and shaker on the European creative improvisational scene since the mid-'90s. With the release of The Mask (a compilation of three previously released recordings: Out of a Dream, The Dawn, and Bending New Corners), Revisité (a DJ dance remix of The Mask), and 2002's forward-sounding Mantis, Truffaz became one of the most popular electronic jazz trumpeters to hit North America since Norwegian trumpeter Nils Petter Molvaer charged forth with Khmer and Solid Ether. With the release of The Walk of the Giant Turtle, Truffaz and his quartet continue to make their mark as an improvisationally rich, high-energy groove experience. The two-part dance track "Scody" features the trumpeter coolly blowing around fluid trance grooves that flow as a mellow confluence of drum'n'bass rhythms and muted electric trumpet.

French trumpeter Erik Truffaz has been a mover and shaker on the European creative improvisational scene since the mid-'90s. With the release of The Mask (a compilation of three previously released recordings: Out of a Dream, The Dawn, and Bending New Corners), Revisité (a DJ dance remix of The Mask), and 2002's forward-sounding Mantis, Truffaz became one of the most popular electronic jazz trumpeters to hit North America since Norwegian trumpeter Nils Petter Molvaer charged forth with Khmer and Solid Ether. With the release of The Walk of the Giant Turtle, Truffaz and his quartet continue to make their mark as an improvisationally rich, high-energy groove experience. The two-part dance track "Scody" features the trumpeter coolly blowing around fluid trance grooves that flow as a mellow confluence of drum'n'bass rhythms and muted electric trumpet.

French trumpeter Erik Truffaz has been a mover and shaker on the European creative improvisational scene since the mid-'90s. With the release of The Mask (a compilation of three previously released recordings: Out of a Dream, The Dawn, and Bending New Corners), Revisité (a DJ dance remix of The Mask), and 2002's forward-sounding Mantis, Truffaz became one of the most popular electronic jazz trumpeters to hit North America since Norwegian trumpeter Nils Petter Molvaer charged forth with Khmer and Solid Ether. With the release of The Walk of the Giant Turtle, Truffaz and his quartet continue to make their mark as an improvisationally rich, high-energy groove experience. The two-part dance track "Scody" features the trumpeter coolly blowing around fluid trance grooves that flow as a mellow confluence of drum'n'bass rhythms and muted electric trumpet.

Antonio Forcione is referred to as the Jimi Hendrix of acoustic guitar and his live energy has established him as one of the most cherished figures across the world. Touch Wood is a continuation of previous works, building an eclectic mix of Italian folk music with Brazilian, Spanish and Cuban sounds. Forcione enriches the experience by enlisting friends and musicians from across the globe. The album includes the outstanding title track, “Touch Wood,” an emotionally charged guitar workout, executed with Forcione’s effortless technique.

The Freedom Sessions is an album by Sarah McLachlan which was released on 6 December 1994 on Nettwerk in Canada and 28 March 1995 on Arista Records in the United States. The album consisted primarily of previously unreleased alternative versions and remixes of McLachlan recordings, plus a cover version of "Ol' 55" by Tom Waits. Many of the tracks were recorded during the same sessions as McLachlan's 1993 album Fumbling Towards Ecstasy. In subsequent live performances, some of these songs (most notably "Ice Cream" and "Hold On") were reworked to match the style in which they were played on this album. The album was released in two versions: a standard CD, and an enhanced CD containing CD-ROM bonus material including interviews and music videos. The album was one of the first major enhanced CD releases.

Nils Lofgren has a story unlike any other in rock & roll. Something of a teenage rock & roll prodigy, he first made waves when he played on Neil Young's After the Gold Rush at the tender age of 17, just around the time his D.C.-based band Grin relocated to Los Angeles in hopes of hitting the big time. Grin never became stars, but Lofgren did. His association with Young provided a launch pad for a solo career that was acclaimed and fitfully commercially successful, with the late-'70s albums Cry Tough, I Came to Dance, and Night After Night all making waves in album rock…

The cover art of Anthrax's We've Come for You All depicts the band gripping a circle of hands, as a beam of light shines on them from behind. It can be taken two ways. Vocalist John Bush, drummer Charlie Benante, bassist Frank Bello, rhythm guitarist Scott Ian, and new lead guitarist Rob Caggiano might be pulling their fans onto an imaginary stage, to join them in the limelight…