Antonín Pavel Haas Quartet

Second in popularity only to the Ninth Symphony "From the New World," Dvorák's Twelfth String Quartet – which was dubbed the "American" Quartet by the public and media rather than the composer himself – is a work nearly synonymous with the composer's tenure in the United States. These were not the only two works inspired by his cross-sea voyage, however. The Thirteenth String Quartet in G major, Op. 106, though not imbued with the same folkloric characteristics, also came about following the composer's return from the States. The popularity of the "American" Quartet has resulted in a work that is arguably overplayed, making it difficult for new ensembles to find anything new or unique to say about it.

Their recording of the American Quartet and String Quartet No. 13, Op. 106 (Gramophone Award - Recording of the Year), elevated the Pavel Haas Quartet among the finest performers of Antonín Dvorák's music. This position was subsequently confirmed by a recording of the composer's quintets, made with the violist Pavel Nikl, a founding member of the ensemble, and the pianist Boris Giltburg, winner of the Queen Elisabeth Competition. The album received the most coveted classical music accolades (Gramophone Chamber Award, BBC Radio 3 Record Review Discs of the Year, Diapason d'Or, etc.). While recording the Dvorák quintets, the logical idea of a Brahms album was born.

Amsterdam Sinfonietta has combined a romantic masterpiece of the string orchestra repertoire with two wild compositions from the inter-war period. Dvorák, Haas, and Schulhoff hardly make a conventional mixture, but all three of these composers had their roots in a region which was known for many centuries as “Bohemia.” One can hear this common ground in the rhythmic diversity, the influence of folk music, and the melodic inventiveness that characterizes their music.