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Mario Venzago’s recordings of Bruckner symphonies with the Tapiola Sinfonietta and other chamber orchestras raised eyebrows and furrowed brows. I doubt his Brahms will provoke much if any controversy. It’s now more than two decades since the release of Charles Mackerras’s pioneering set with the Scottish Chamber Orchestra – discs that were clearly labelled ‘in the style of the original Meiningen performances’, presumably to assure buyers that there was historical precedence behind the notion of a smallish orchestra playing the canonical Brahms four.

For several decades beginning in the 1950's I Musici was the leading ensemble specializing in Italian Baroque music, and their performances were standard-setting in their time. Their recordings still hold up exceptionally well even though approaches to early music, driven by the period instrument revolution, have changed somewhat since then.

Disco (1986). Released at the height of dance-pop in 1986, the Pet Shop Boys' remix album Disco defiantly asserted the roots of the current trend with the title. And with its long remixes, Disco is designed to be pumped at a dancefloor. As casual listening, it gets a bit tedious, but even at these extended lengths, the melodic craft of the Pet Shop Boys' material shines through…

Known in her heyday as "the blues sensation of the West," the big-voiced Sara Martin was one of the best of the classic female blues singers of the '20s. Martin began her career as a vaudeville performer, switching to blues singing in the early '20s. In 1922, she began recording for OKeh Records, cutting a number of bawdy blues like "Mean Tight Mama." She continued recording until 1928. During this time, Martin became a popular performer on the southern Theater Owners' Booking Association circuits, eventually playing theaters and clubs on the east coast as well. In the early '30s, Sara Martin retired from blues singing and settled in her hometown of Louisville, Kentucky. While she was in Louisville, she ran a nursing home and occasionally sang gospel in church. Sara Martin died after suffering a stroke in 1955.

Virgin Classics invites you to enjoy the world premiere recording of Viviadi's Il Farnace in a version that Vivaldi prepared specially for the city of Ferrara in 1737-38 after its success in Venice. This is not only the first time the Ferrara version of Farnace has been recorded, but also the first time it has been heard, as the planned performances of 1738 were cancelled due to the local failure of the Vivaldi opera that preceded it, Siroe.

Galuppi is important in operatic history as the pioneer of the finalé, joining movements into a concerted whole in which the dramatic action reaches a crucial situation and is then developed. His most successful operas were written, as here, with the Venetian playwright Carlo Goldoni who had reformed the original ‘comedia dell'arte’ and developed this into ‘opera buffe’, thus bringing comedy into the opera house. His texts provided simplicity and directness with reduction of dialogue, more musical numbers, including arias, lovers’ duets and big final ensembles. Galuppi set the dialogue words with secco recitative. In combination Goldoni and Galuppi were said to have invented ‘opere buffe’.

A deluxe 4CD set containing the complete sessions from Bruce Soord’s acoustic live performances streamed during the UK lockdown.

2012 four CD set containing remastered editions of the first four solo albums from the singer/songwriter and Rock icon. Includes the albums Neil Young, Everybody Knows This is Nowhere, After the Gold Rush and Harvest. Warner.