“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.”
“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.”
On is the title of a 1993 EP by the British electronic music artist Richard D. James, more commonly known by his recording alias of Aphex Twin. It was released on 15 November 1993 by Warp Records. On Remixes, featuring remixes by
James, Reload and u-Ziq, was also released on the same day.
Xylem Tube EP was released exclusively on vinyl in June 1992. All the songs on this EP can be found on the 1994 compilation of early Aphex Twin material Classics, also released by R&S Records following his success on Warp Records.
Like so much of Moby's earliest work, this isn't so much an album as a compilation via his original label, Instinct. Ambient influences in techno were all the rage in 1993 in terms of press and coverage (though jungle would swiftly eclipse both it and the progressive house genre), so it's no surprise Instinct wanted some of that action, right down to the says-it-all title. Motivations aside, Ambient is an enjoyable collection of experiments; if Aphex Twin's monumental Selected Ambient Works releases eclipse it in terms of both quality and sheer inventiveness, Moby's own efforts in the field are often quite pleasing. Those familiar with such later efforts as "God Moving Over the Face of the Waters" and "The Rain Falls and rhe Sky Shudders" can find their partial roots here, though the compositions are generally more formal and less-immediately noteworthy than what came next.
Call it ironic that the Aphex Twin's first U.S. album release was under a pseudonym, but given the many names Mr. James has used over the course of his career, perhaps it's just as well. Regardless of name or intent, on Surfing on Sine Waves he serves up a great collection of abstract electronic/dance madness, caught somewhere between the driftiness of his more ambient works at the time and the rave-minded nuttiness of "Digeridoo." The opening track, "Polygon Window," plants its feet firmly in both camps, with a brisk series of beats playing against the slightly dark, slightly quirky keyboard sounds with which the Twin first made his name…