Approach Magazine From June 2015

This performance goes right to the top. Not since the amazing mono Ancerl recording has there been a version of this work of such intensity, such expressive urgency, and (yes, believe it or not) such incredible orchestral playing. It’s impossible to praise the Royal Liverpool Philharmonic enough: they put their London colleagues to shame. The cellos and basses have a dark, tactile presence in pianissimo not heard since the old Kondrashin Melodiya recording. The horns play the daylights out of their solos in the first and third movements, while Petrenko has the violins sustaining, articulating, and phrasing the climax of the first movement with a passion and grit that’s beyond praise. Indeed, as an essay in Shostakovich conducting alone this performance deserves an honored place in every collection. Petrenko has the players digging into the second movement with unbridled ferocity at an ideally swift tempo.

Five-time GRAMMY award-winning bass player, producer, composer, author, and educator Victor Wooten will release his first album in five years, TRYPNOTYX, September 8. In support of the album, he will hit the road with the Victor Wooten Trio this fall following August dates with Béla Fleck & The Flecktones of which he is a founding member.

Perfection Kills is the ninth release from South African blues-rock guitarist, songwriter, and vocalist, Dan Patlansky. Picking up right where his 2017 Introvertigo left off, Perfection Kills proves Patlansky is a guitar slayer, a killer vocalist, and now, a sharpshooter behind the mixing console…

Bill Perry's newest release, Don't Know Nothin' About Love, finds him reunited with producer extraordinaire Popa Chubby. Bill tears it up on a program consisting of eight new originals and three covers, including a rock-the-house version of "Hello Josephine." Once again, producer and artist have collaborated to craft a splendid showcase for Bill's incendiary guitar playing and songwriting prowess. Bill notes that "working with Chubby has really let me come into my own as a recording artist; the guy's a genius in the studio whose enthusiasm gets everybody going."